Stefano Gabbana3:15
Meanwhile, being in Rome is an exceptional thing for us because we know Rome but we don't live it very much, so being here, if you will, in the heart of Italian cinema, already makes you feel cinema. Then Rome is the eternal city, the city of dreams, the city of La Dolce Vita, the city of Roman Holiday. I think that when you go around the world and you talk about Italy, the first word they say is Rome. Rome is a great dream, the city is the Roman Empire, it's another code of identity. There are many codes: the code can be Martini, a code can be Dolce & Gabbana, a code can be Rome. They are identifying codes.
It was born a bit, it's not that we sewed it on ourselves, yes, we sewed it on ourselves a bit in the sense that we thought of a typical Italian woman who is followed by equally typical Italian men, and you find yourself in a bar and discover this Martini, but there is all this secret from the beginning to the end, until you get to the end and discover that this woman drinks Martini.
La Dolce Vita is not a place. La Dolce Vita is knowing how to appreciate the things of everyday life, knowing how to appreciate and give value to everything, living in the present and not having... yes, having the ambition to grow but not having the obsession to live the next moment without living the moment you are living.
Uh, Monica, it's a bit difficult to talk about Monica because, well, it's very simple, it's a bit difficult because we are very good friends. She started her modeling career when we started as designers. When Jonas asked us that he wanted a woman in this ad, he told me, 'Sure, of course, you're free to take whoever you want. Who would you like?' Monica Bellucci. So you see, it comes back again. Monica Bellucci is also a code. You say Monica Bellucci, you think of Italy, a sweet woman, a female, a sort of Anna Magnani today. So this is what people imagine, what they see.