Russell Weiner13:17
Um, well, you know, on the who innovators, it's, you probably get the same names all the time. Um, so I'll tell you a name just of an innovator because I have a good story about it, but then I actually, I'm not going to tell you about a person, I'm going to tell you about, um, what I think is the most important, which is you need to be your own innovator. And so the key is where do you get the inspiration and the ideas. But the quick story I have about innovators, so I'm pulling out, for those who can't see, but this is a podcast, I'm pulling out my iPhone. This is the, I think the 13 is the new one, right? And so when I worked at Pepsi, one of my first jobs is I worked on a, uh, I think it was like the iPhone 1. Oh, wow, I didn't work on the iPhone 1, but that's when it came out, or 2, or whatever it was, so early iPhone, and this is when Apple Music first was, okay, big, because we used to have like tapes and records. You have no idea what I'm talking about. And so we had this promotion at Pepsi where if you unscrew the cap, you get a code, and you sign up, you get a bunch of codes, you get free music on Apple Music. And so we did a, you know, we did a commercial, Pepsi and Apple, um, you know, for the promotion. It was a Pepsi commercial, but we had to pass it by, you know, Steve Jobs. Um, who's obviously an innovator we absolutely talk about, but I'm going to tell you the story because, I mean, everyone knows Steve Jobs, but to me this was such an insight of why he's so, he was so great at what he did. So, you know, we all made sure we had our Apple phones before we, you know, of course, I think this was actually before Androids, but there were still Blackberries. Yeah. And, uh, you know, we had him out and he, he comes in and he, you know, he has a kind of look on his face. And, and, you know, I, at that point in my career, I was just a peon, I didn't say anything, but someone asked him, but, you know, what's the matter? He said, well, you know, all of you have these, you know, the new phone, thanks, but, but you got these cases on them. The phone case. Well, someone's like, well, I've already broke mine twice, you know, Mr. Johnson. And he eloquently and passionately talked about how painstakingly they, they thought about everything regarding the design of the iPhone. So for example, like the outside, it actually could have been plastic, it was cheaper, but they decided to go to glass, and just, you know, that every corner made it. And what he didn't like about the cases is the artistry, the passion, you didn't see it, at least in his view. And so what do you notice about my phone? No case. No case. Right. So this is, God knows how many, wow, 15 years, more than that later. Um, no case. And it was listening to his passion. And I think that's what you need to have as an innovator. There needs to be, whether it's the design of your iPhone or something else, um, you know, the key thing you need is just the passion and the focus. Um, so then the question is, you know, where do you go for ideas? Um, you know, I read a book a while ago, this is interesting for folks who maybe aren't as creative as others. Um, it's not important, the name of the book is called The Whack on the Side of the Head, it's not important the name, but what he talks about, the author is, you know, for those who maybe aren't creative, is wear different hats. So there's a problem to solve, we're trying to market, you know, HPU, why to come to HPU? Okay, well, obviously how would Dr. Cobain market it? How would Michael Jackson market it? How would LeBron James market it? Like, put yourself in other people's heads. And, and you come at things differently. Um, there's a, uh, a great story about, um, a guy named Ian Schrager. So he owns a high-end, bunch of high-end hotels, and I'm not going to tell this perfectly, so please don't, you know, listen to this, but, no, I've been told this story many times and I'm sure people, but essentially what I, how the story, the legend goes, so he owned Studio 54, which was Manhattan, the kind of disco, you know, nightclub place. Sure. And supposedly he was in this big card game, and at some point, um, someone, whether they wanted to up the ante or whatever, they, they said, you know, I got this hotel, instead of putting down X amount of dollars, I'll put my hotel on this. Wow. And I guess Mr. Schrager won, and so he got that, he won this hotel, and he, he went and he looked, wanted to see what he won because he was going to sell it, he did nightclubs. And when he walked into the hotel, he saw this big lobby and it was completely empty, because, you know, you have to walk to check in. And what he said was, wow, man, they could be serving drinks here, this could be like a nightclub. And so he had this mindset of being a nightclub guy and he brought it to hotels. So there's a whole bunch of, you know, I don't know if they're still around, a big deal, but Ian Schrager hotels, but basically any cool hotel you go today that's got a lobby where there's, you know, a bar and, you know, music and stuff like that, um, that was inspired by him. Amazing. And so the idea of trying to bring another mindset, you know, to a problem, is, is one. And then secondly, I'm giving you too much here, I'm sorry, no, it's great, but I think it's really important to read not about ideas but to get different points of view. And so one, um, because at the end of the day, you want to be the person who's creative, you want to be the person who's innovating, of course. It's not, all right, Steve Jobs does this and so how can I do what Steve Jobs, right? And so you got to get the facts. Um, but I think it's important to know, you know, so there's, it's important to know what's going on in society because you can have the best idea, I mean, the example is, well, before the Apple Store, there are lots of people trying to sell music through these phones, but it didn't work. And but I think what, you know, Steve realized was what was going on culturally. And so I think, you know, when I think about what's going on culturally, whenever I try to solve a problem, I try to figure out what's the tension in society we're trying to solve. Right. And so when we turned Domino's around way back when, the tension of our brand was, um, we were a pizza company and our pizza wasn't as good as it could be. And, um, the tension in society, this is 2009, 2010. The economy wasn't good, there were banks going under. Um, there was a big car bailout that you probably don't, you were probably 10 or something, I don't remember, but there was a lot of things going on in society, and people didn't trust the pillars of society anymore. They didn't trust government, they didn't trust banks, they didn't trust companies. They wanted someone to tell them the truth. No one was telling the truth. Well, we had this kind of scary truth to tell, which is that, you know, our pizza isn't as good as it could be. And we felt like if we could do, in our own little pizza company way, if we could break our tension, which was the same tension as was in society, everyone would say, you know what, Domino's is doing that, why doesn't government do that, why didn't? And so we went on, we talked about how it was, it was a transparent campaign, and, um, where we came out and said that, you know, we're going to fix the pizza, and we did. And, um, that it wasn't good at the time. And, you know, the stock went from under three bucks to, today or this year it peaked at 548 dollars. And we just continued to take that, what's the tension in the brand, what's the tension in society, and that's how you come up with a big idea. And the best way, I think, to find tensions in society, you know, is just through being current in your reading, and we can talk more about that if you want.