Massimo Perotti3:07
Well, the experience was an excellent one and very rewarding. Please bear in mind that this was a strategic choice of Sanlorenzo, starting working with a designer, with designers not coming from the nautical sector. It dates back to 2006, 2007, and it started with Don Tony, with whom we created the first 106. Then we presented it at the trade show in Geneva in 2009, well during the crisis after the outbreak of the crisis, while our sector was really, really affected, strongly affected by the crisis. And we could also find a way out of the crisis thanks to him. So it was a very well reflected choice from the beginning. And then we will come to Altiero. Well, after this experience, working for another ship company, another one not Sanlorenzo, at the age of 44 I decided to start working with Sanlorenzo. Sanlorenzo is a site while the brand is very well known and the reputation is also very good. So the level of quality, solidity and comfort was very high. The company was a small one, 40 million euros turnover in 2005, and the store history was a long one for furniture items and fittings. So from 2005 on, the idea we came up with the idea of innovating. The owner was 75 years old, he had 55 years of work experience behind him. So the outcomes were very, very good and the brand was brought to a very high level, but the product was a little bit old-fashioned and outdated, and it is often the case. So we wanted to innovate while sticking to the tradition. So Sanlorenzo has a specific style and the design, so we couldn't put it upside down, the shape of Sanlorenzo. So at the beginning, the main difficulty was innovating while sticking to the tradition. Well, if there is a client who wants to buy a Porsche 911, well this car was designed in 1938, it was innovated 15 times in the last 78 years, but the shape is always the same. I mean, if you know, if you love this car, well 911, well you have to stick to these lines and shape. So we wanted to innovate, for example, for the interior designers. So we wanted to go out of the, to leave the nautical industry, it was a little bit outdated as I told you before, it didn't give a boost to our business for many years. And the easiest thing to do at that point in time, it was not that easy actually at that time, but anyway we decided to move to Milan and to get in touch with the best designers, and Tommi. Then another very good experience with Chittario, and then thanks to my colleague Sergio Butleri I could get some help from him and we could also come across Piero Lissoni, and this was kind of a spark. Okay, so something great from the beginning. And there were a lot of developments because he also designed the new site, production sites, the new fittings, because we had already a contract, an existing contract. So we also understood that it was very important to communicate in a specific way with more companies. So together with Piero we really worked, our work went hand in hand, and this was a very strategic partnership. If I have to identify a strategic choice that was made in the last six, eight years in our company that also led us to be listed at the start on a stock exchange, I think that this partnership with the Sony Studio and this very close cooperation with Piero was really crucial and this also made the difference and made us outstanding, stand out compared to our competitors. And the idea of working together with Milan-based designers, but we also went beyond, we also work with Christian, Negro Japoso and many other designers in the last couple of years. So the idea of working together with all these designers not coming from this sector, and this was also possible thanks to other elements. So Sanlorenzo, our yachts are made to measure, they are tailor-made. So we have old boats with more than 40 meters length, and this is a long business of 4, 20, 24 to up to 40 meters. So there is a prototype like a template, and then we can also change the fabrics and the color of marbles, but the layout is always the same and the style is always the same. Well, Sanlorenzo, so in 2004 when there was another owner, and the previous owner not me, well we always tried to practice to make, to manufacture products that are made to measure. Then he also gave me some power so I could make important decisions. So there are sometimes very high-end designers that approach and address this product, they want to make decisions, they want to be empowered, and this was something that was also done by Italian competitors and international competitors. Well, a technical infrastructure and a production structure, so we manufacture 50 boats per year, not 300. And this is another element that enables us to have made to measure production for professionalism, for quality. So we try always to, we always try to keep very high quality standards.