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Robert Kalin
Co-Founder, Etsy Inc

Etsy: Rob Kalin

🎥 Dec 18, 2017 📺 DeepSignal Studios ⏱ 85m
Rob Kalin founded Etsy for people like him: makers and hobbyists. In 2005, he was kicking around New York trying to find buyers for his hand-made furniture, when he noticed that other craftspeople had the same need. So he and a few friends built a website where makers could sell a wide range of goods. Rob named it after an Italian phrase he heard in a Fellini film, and within three years, Etsy passed $10 million in sales. But as a young founder, Rob struggled to manage the rapidly-growing company; and in 2011, after being fired without warning, he returned to a quieter life as a maker and smal...
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About Robert Kalin

In a 2017 interview on the podcast *How I Built This*, Etsy co-founder Rob Kalin discussed the company's early growth and his departure. Kalin stated that Etsy generated $1 million in sales during its first year, and he described the initial challenge of building a two-sided marketplace as a "classic chicken and egg problem." He also recalled being fired in 2011 by investor Fred Wilson during a lunch meeting, saying Wilson told him "We have to do this" without providing a reason, a process Kalin compared to a "Kafka novel." Kalin also reflected on the tension that arose after Etsy brought in a professional COO who later became CEO. He said that when a CEO is brought in and the founder retains power, "it almost never works out" and "creates a lot of conflict." Kalin, who founded Etsy in 2005 to help makers sell handmade goods, said he returned to a quieter life as a maker after being fired.

Source: AI-verified profile updated from Robert Kalin's recent appearances. Browse all interviews →

Transcript (122 segments)
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Narrator0:00
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Robert Kalin3:46
I had a bi-weekly lunch with Fred, you know, one of the investors.
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Guy Raz3:51
Fred Wilson.
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Robert Kalin3:52
Yeah, Fred Wilson. I thought I was just going to lunch to chat about Etsy and went to their office and met him and he told me that I was fired, but he didn't tell me why. He just said, 'We have to do this.' And I remember saying like, 'You don't have to do this. Like, you're choosing to do this.' And the whole process felt like it was something straight out of a Kafka novel.
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Guy Raz4:25
Welcome to How I Built This, a show about innovators, entrepreneurs, idealists, and the stories behind the movements they built. I'm Guy Raz, and on the show today, how Rob Kalin followed his passion for making things by creating Etsy, one of the biggest and best known online marketplaces in the world. Let me tell you a little bit about what Rob Kalin, the founder of Etsy, is up to these days. He left the company more than a decade ago, and today he lives and works in a small town in upstate New York in the Catskills. Rob rebuilt his entire house from the ground up. He even built the furniture for it. It's actually beautiful stuff. Super spare and minimalist wooden tables and chairs. He started another business not too long ago making handcrafted high-fidelity speakers. Don't bother looking for them at Best Buy. They are custom-made and very expensive. Someone is actually selling a pair of them online for close to $50,000. Soon Rob plans to launch yet another business, a learning tool for kids that blends technology with old school hands-on toys. Now, the point of all this is to explain, if it's not already clear, is that Rob is very much a maker. He is exactly the kind of person he had in mind when he created Etsy. Back in 2005, when the website went live, Rob and his co-founders wanted to create a marketplace for makers who could sell their stuff and be part of a community. Today, Etsy is one of the biggest online marketplaces in the world. Close to 100 million active buyers and about two and a half billion dollars in annual revenue. But a lot of that growth actually happened after Rob left the company. Like many of the stories we've told here on the show, founders, even the most creative and passionate and visionary founders, aren't always the best leaders. Or they might be great leaders at first, but not necessarily the right people to grow and scale a company. And that's okay. There's nothing wrong with that. But this is exactly the challenge Rob faced back in 2011. He didn't exactly leave Etsy to sail off into the sunset. Rob was fired suddenly and without warning. And for Rob, it was a huge personal blow. He was 31 and Etsy was his life's work. For a few years, he brooded over what happened, but eventually Rob recovered and settled into a life as a maker. It didn't hurt that Etsy's growth and Rob's stake in the company also made him a wealthy man. So, this is a story of triumph and loss, wild success and failure and everything in between. But we'll get to all of that. What you need to know for now is that Rob Kalin grew up in the 80s and 90s just outside Boston. His mom was a teacher and his dad was an architect. Rob describes himself as the kind of kid who had trouble sitting still. And as he got older, school got a lot harder to the point where he just decided to leave.
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Robert Kalin7:43
When I hit my junior year of high school, I just stopped going to school. I did not tell my parents I stopped going to school. I would leave in the morning and pretend like I was walking to school and I would go into Boston. I was really into photography. I was taking pictures, built a dark room in the basement. Eventually, I got a job at a camera store near Boston and I would just walk by school and go to work and felt like that was a much better use of my time.
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Guy Raz8:09
So, you would just you just wouldn't I mean, and and I mean, didn't that catch up with you? I mean, didn't eventually like your grades start to suffer and your parents start to sort of ask you what what's going on?
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Robert Kalin8:18
Oh, yeah. The ruse was up when the first report card got mailed home. And what's interesting was I didn't have bad grades. I had incompletes, which I think was the letter N. And my brothers and sisters report cards were on the fridge with their high marks. And I remember opening my own report card, highlighting all of the ends, and then putting it on the fridge, and then just kind of going to my room and forgetting about it. And when my dad got back from work that day, my door got forcibly opened. And it was, you know, it was an interesting moment because there's this really strong equation between do well in school and then be successful after school. And it definitely wasn't an equation that I was subscribing to even at that point. And so fixed my door and that was my introduction to carpentry. And then from that point on had a pretty strong sense of okay, I need to figure out what I want to do. And you know, I think in some ways that's one of the most valuable skills I learned going through that public schooling system was just like how to carve out my own path or how to walk away from something and then turn towards who I am and what I want to be doing.
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Guy Raz9:37
So you did manage to graduate from high school I think and fair to say kind of barely.
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Robert Kalin9:44
Yeah. So, I stopped going to high school for my junior year and then at the end of that year, most of the advice being given to me was just go take your GED and then we'll figure out where you can go after that. And I was 100% in my like, you know, rebellious phase. So, when I graduated with a 1.4 GPA. I mean, I was walking a very fine line to try and figure out, you know, exactly how much effort I had to put in in order to graduate, all the while still focusing on, you know, the photography. And I remember during the latter half of my junior year, my mom just dropped me off on the main street in town and said, 'Don't come home until you have a job.' And so, at age 16, I started working as a cashier at Marshalls. And again, like very valuable experience, not an easy place to work. And making less than I don't know $8 an hour at that point. This would have been 1996 and working through the holiday season with, you know, I was probably the only person under the age of 50 working there.
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Guy Raz10:48
I guess you spent a little bit of time at art school in Boston after high school, but you eventually made your way down to New York.
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Robert Kalin10:58
Yeah. So, when you're in art school, the idea of making it as an artist in Boston just doesn't even count. You have to get to New York City. And so, I went to New York City and I remember interviewing at the Strand bookstore and getting that job for again under $8 an hour and just living pretty close to the bone for my first year in New York City and started doing construction work at night. So, I'm trying to just get a little bit more money saved up so I could go back to school.
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Guy Raz11:29
And what kind of construction work were you doing in New York?
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Robert Kalin11:32
Uh, I started out with just simple 2x4 framing of things and then ended up taking a full-time job at a construction company that was renovating a beautiful brownstone on the Upper East Side. And I remember waking up at 5:00 in the morning and getting on a super packed subway and just doing a very physically demanding job during the day. They were in the kind of demolition phase of the renovation and you're the lowest rung on the ladder. I was essentially just carrying barrels full of plaster down four flights of stairs for most of the day. But for sure being able to watch the other people on the job and it's not even just the work that they're doing and the skills that are required. It's who they are and how they show up and what their personality is and this kind of community and camaraderie that gets built on a job site full of people doing pretty difficult work. And that really stuck with me even outside of that environment.
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Guy Raz12:33
When you were in New York, you also kind of went back to school. Well, not kind of, you did. I think you took some classes at the New School and like Greek and Latin and then you transferred to NYU at the Gallatin School there and you studied classics there as well, which seems like kind of a departure from what you were doing with photography and the arts. So after you graduated, what kinds of things were you thinking about doing?
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Robert Kalin13:03
Yeah. So there was always this momentum pointing me towards the arts and so, you know, I ended up graduating college midyear and I had a full year's worth of student loans and a friend called me and told me that his roommate moved out. He was living in Paris. And so I went and lived in Paris for a season and then coming back to New York City after that. As luck would have it, you know, I ended up dropping a rent check off one day and my landlord was talking on the phone and reading a piece of paper and I jokingly handed him my rent check knowing that he'd never have a free hand. And we did this little pantomime where he couldn't accept it unless he handed me what he was holding. And so I took what he was holding and I read it and it was a proposal to make a website for this restaurant that he owned called Acme Bar and Grill on Great Jones Street and he said covering up the mouthpiece of the receiver, 'Can you beat that price?' And I again jokingly just kind of said, 'I'll do it for half.' And he goes, 'Okay, great.' And he kind of shooed me out of his office. And I leave his office holding this piece of paper that was someone else's proposal to make a website for this restaurant and was like, 'All right, I guess I'm doing this.' You know, I remember the proposal was for $1,600 and I was like, 'I guess I'm doing this for $800.'
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Guy Raz14:22
And did you know how to make a website?
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Robert Kalin14:24
Absolutely no idea. I didn't even know how when you typed something into a web browser, it went and found the files. I thought maybe the files had to be on your computer somewhere. And you know this whole concept of what I now have a pretty good understanding of wasn't present for me at all. But the challenge of how do you populate this website with content? So I had to go talk to people. I had to go take pictures. I remember learning Dreamweaver and put all of these things together that I didn't really know and made what I'm sure is by all means a completely mediocre website. But the process was fascinating to me. And you know, I remember being in art school and I was learning anatomy and old master painting at that point. And I would go down to the computer lab once a day to check my email and I would see all these people hard at work staring at computers and I would think like that is definitely not for me. But lo and behold, you know, the piece that we think is not what we're going to be is what becomes the cornerstone of what we're going to build next. So basically there was an opportunity to build a website and that's kind of just by default you kind of start like figured out how to do this and this kind of became a little business. So I made that first website and because this is, I don't know, 2003, I got known as oh this guy can make a website and the wife of one of my NYU professors, Jean Railla, was running a website called Get Crafty and she needed that website rebuilt.
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Guy Raz16:02
What was what was Get Crafty? Get Crafty was
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Robert Kalin16:06
a community site really like a forum with people sharing what they were working on and talking about life and you know one of those beautiful early examples on the web of these kind of like watering holes where people just kind of gathered and talked and there wasn't all of you know there were no algorithms manipulating people's attention. There weren't even really any ads being served up on this. And so she was just like, 'Hey, I need this rebuilt. I hear you make websites. Can you help me?'
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Guy Raz16:39
And this was not a commercial website. It was just like a community board for people to like I guess post photos of what they were working like the crafts that they were working on.
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Robert Kalin16:49
Exactly. And there was a dynamic element to it that I didn't know because I was just doing the front-end work and didn't know how to do any back-end work. And at Gallatin, there was someone known for writing code and I reached out to him. So Chris and I built Get Crafty, I imagine, in a couple months.
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Guy Raz17:10
And when you say Chris, you're talking about Chris Maguire, the guy you met at NYU, who would go on to found Etsy with you.
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Robert Kalin17:17
Yeah. So the idea was let's start a little web dev shop and we'll go look for more clients and we'll do bigger work. And we were able to parlay building Get Crafty into a couple other projects. You know, a lot of times we didn't have any say on the design side. And after several months of that, I remember telling Chris, I just want to build something that's our own that we can kind of steer the direction of. And I set up a wood shop in my bedroom in Brooklyn and got to making furniture. And when I was looking to actually try and sell the furniture, you know, all of the storefronts where you could sell it are taking a large commission and aren't really looking for mediocre furniture made in a bedroom in Brooklyn.
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Guy Raz18:00
Yeah. By the way, what kind of furniture were you making?
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Robert Kalin18:03
At that point, mainly desks. And I was specifically trying to make desks with a computer built into the desk. And I was also just studying the history of furniture and getting a sense of like different styles, different cultures, and trying to think like what's a Brooklyn vernacular for a furniture aesthetic in the early 2000s.
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Guy Raz18:24
Were your desks, I mean, really good? Were you good at woodworking?
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Robert Kalin18:28
Compared to so I've been woodworking more or less continuously for the past 20 years or so. So I mean compared to what I can make now versus what I was making then, no, I would not say they were very good. But you know, they were a very good attempt at expressing something and exploring something. And so running up against this challenge of well how do I sell it and not really having access to any storefronts, and I was like okay you know I'll try and sell this online and you know there really isn't much infrastructure for doing this at this point in the world. This is 2004 and the only option for selling it online was eBay at that point and really had no interest in doing that. So built a website to sell my own furniture. Right after doing that, one of my friends who also made furniture said, 'Hey, I need a website. Can you make me one so that I can sell my own furniture?' And you know, it wasn't a big leap.
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Guy Raz19:33
And this is like 2005.
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Robert Kalin19:36
Yeah, this is probably early early 2005. And I'd made Get Crafty and I'd seen the power of all of these people sharing a space together and communicating about what they were making. And then you know my friend is like can you make me a website? And so I said instead of making you your own standalone website why don't I just kind of create a place where we can both sell what we're making? And I remember going to Jean who was running Get Crafty and saying you know could we add a tab on here for a marketplace so people could actually sell some of this stuff. And you know, she's very thoughtful and decided against it because, you know, that energy of commerce really wasn't a part of the community at that point. And so I asked for her blessing to kind of just go off and try and build this thing on my own. And lo and behold, that was the seed of what eventually became Etsy.
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Guy Raz20:38
And by the way, the name that you picked for this website, Etsy, where did that come from?
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Robert Kalin20:44
Yeah, the naming process, there's something quite ineffable about that where it has to feel right. And I was looking for something that could just have this emotional connotation of no baggage plus here's something new. And ended up, you know, misharing something in a Fellini film and looking up the .com for that and by some very strange stroke of providence and luck, the four-letter domain for ety.com was available.
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Guy Raz21:18
And you'd heard this, you thought that you had heard somebody say Etsy and affirm?
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Robert Kalin21:24
Yeah, I think in Italian it means and if or something like that. Etsy. Etsy. So, I was specifically plumbing the depths of my, you know, Latin and Greek language learning to try and come up with a word that wouldn't mean one specific thing. And I mean, I remember my Greek professor, companies would contact him all the time, usually pharmaceutical companies, to help him create names for different kinds of, you know, drugs that they were creating, right? And I also think even at that early stage had a sense that I wanted it to be a global brand. And so if it was just two English words stuck together, I felt like it would be more difficult. So I wanted to create a kind of playful nonsensical word that had no branding baggage attached to it.
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Guy Raz22:11
So you said you were thinking about a global brand. So I mean it sounds like from the get-go you had ambitions about this. It wasn't just let me just build this thing and sell my woodworking stuff. It was more like let's see what we can do. Let's see how big we can make this.
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Robert Kalin22:26
Yeah. So, there was this moment where I was sitting in a chair by my window in my apartment on South Elliot Place in Brooklyn just starting to sketch out the causal chain of what Etsy could be if we started from these principles with these values in this community. And it just became so clear to me even at that moment how big it could be and where it needed to go. And there was absolutely this sense of inevitability pretty much from that moment on.
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Guy Raz23:02
When we come back in just a moment, how Rob and his partners launch Etsy, move from an apartment into an office, which they soon discover is not an easy place to pull an all-nighter. Stay with us. I'm Guy Raz and you're listening to How I Built This.
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Hey, welcome back to How I Built This. I'm Guy Raz. So, it's 2005 and Rob, his friend Chris Maguire, and another guy from college, Haim Schopp, decide to devote their full attention to building the website that will become Etsy.
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Robert Kalin27:17
That was the kind of seed getting planted of like, okay, let's build our own thing. I now had to go out and do some fundraising. And obviously, like I've never done fundraising before. And I was actually finishing up building a bar in the apartment of what became Etsy's first investor, Spencer A, along with his brother Judson. And when I was done building his bar, we were just kind of chatting and I was like, 'Hey, you know, here's this other project I'm thinking of doing. Do you have any interest in it?' and he kind of looked at the bar and he looked back at me and he's like, 'If you can build that,' and he really liked the bar, 'then I'm sure you can do a good job building this.' And he's like, 'You know, come back tomorrow and I'll have a check for you.' And you know, I still remember that experience. He lived near NYU's Stern, like their business school, and went back the next day, picked up a check as his first money in for $50,000 and walked by Stern and was like, you know, I did it. Went to the bank. That seemed like a kingly sum of money to me. I was like, this is enough money to run Etsy for, you know, as long as we need to until it gets profitable.
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Guy Raz28:31
Yeah. Tell me, how much did you need to raise or did you raise initially?
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Robert Kalin28:36
So at this point I didn't even know that startups were a thing and didn't have a sense of like oh okay there's a difference between an angel investor and institutional investors. So I went to my grandfather and I told him what my intentions were. He was the kind of, you know, businessman in the family and he'd worked at IBM back in the 50s and 60s and just said, 'Hey, like here's what I'm thinking of doing.' So, there was this sense of like, okay, he'll know what to do. And I remember telling him, all right, you know, here's my idea for the business and here's the capital that I've raised. What do I do next? and he's like, 'Well, you need to spend this amount of time doing this amount of market research and you need to do this and you need to do that and I need to meet with Spencer.' So Spencer and now with his brother put in a bit more money and a third investor joined in. Sean Minan who is a restaurateur who had a restaurant across the street.
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Guy Raz29:36
But at that time help me understand what you needed the money for. I mean, presumably at the time it was just more expensive to build a website and to get servers. Was that why you needed to raise? I mean today if you were going to start a business you would just you and some friends would just go start building a website and you wouldn't need much money to do it. But in 2005 I guess you needed the money to actually buy the services that you needed to make the site.
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Robert Kalin30:06
Yeah. So in 2005 there's no infrastructure. There's no cloud computing. Apart from hosted servers which are very expensive, and we're doing our best to build the website at that point, the software is by no means as efficient as it could be and we're compensating for that by bulking up on the hardware side. And so all of the fundraising in those early days because we were not making much money in terms of what we were paying ourselves was going towards hardware. And I remember just kind of countless hours spent ordering from Newegg and then the hardware showing up at my apartment and you know these big pizza box one rack servers on the floor and assembling them and then driving over to Secaucus, New Jersey and installing them in a data center. I remember Christmas Eve crimping RJ45 plugs onto patch cables, setting all of this stuff up. So yeah, those were the good old days. We were just doing the best we could with what we had.
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Guy Raz31:05
All right. So, so the three of you, Chris, you and Haim are basically starting to build out this site. And before you even launched it and went live, what was your business model going to be like? When you went to Spencer, the guy whose bar you built and who was your investor, and he was like, 'Okay, how are you going to make money?' How did you explain it to him even before you went live?
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Robert Kalin31:26
Mhm. The business model thankfully was very straightforward even from those early days. Obviously, we could point to a website that already existed like eBay and say, 'All right, there's going to be a per item listing fee and then there'll be a sales fee associated, you know, when something sells.' So that piece of it was more straightforward and it actually felt really nice because the other websites of the day, you know, watching kind of Facebook's rise and then Twitter were based on ad revenue and, you know, we were kind of able to take this pseudo moral high ground and say like we're not going to be reliant upon third party advertisers that we'll have to kind of cater to. We're just going to like the business model felt like it was baked into the website from the beginning.
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Guy Raz32:18
And when people asked you, well, how is this different from eBay? Your answer was, well, this is not eBay at all. We're not selling everything. We're only selling handmade items, things that people make.
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Robert Kalin32:30
Yeah. So, this sense of overcoming inertia in the early stages of a marketplace is incredibly difficult. It's almost impossible, which is why, you know, there were so many eBay clones that never went anywhere. And, you know, you need to be able to tell a compelling story and you need to build up a community and the community needs to organically overcome that inertia in the early stages of the marketplace and start get the flywheel going. And one interesting thing is you can't fake that, right? We knew that we had to be that community and from working with Jean on Get Crafty and really seeing what it looked like to participate in an online community in those days, you know, had a good sense of that.
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Guy Raz33:22
All right. I guess from what I read, it took you guys just two and a half months to build this website and you launched it in June of 2005, etsy.com. And then what happened? Like you hit the go button, you know, it's out there in the world, but this is still early days on the internet. And what happened? Did anything happen? Did people start to find it immediately or not really?
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Robert Kalin33:52
Yeah. What happened was we hit the go button and then went for dinner. And I think when we'd come back for dinner, we were checking the web traffic and a couple people had noticed it. We posted on Get Crafty and there was another kind of handmade community called Crafters and we posted about it in those forums and people started noticing it. There's this beautiful DH Lawrence quote that has always resonated with me, slow like growth. And Etsy very much embodied that. And I think that's actually a really healthy thing because it ends up becoming something that has a lot of momentum behind it and which means you know it's got a lot of staying power. And you see the inverse of this with companies like Groupon which I think was fastest ever to go from zero to a billion dollars in revenue. So with Etsy it was this kind of long slow organic growth. That said, you know, in the first year of business, we did a million dollars in sales and that seemed like quite a lot. And this was all being driven by the more organic traffic of the early web, you know, being written up on blogs like Boing Boing.
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Guy Raz35:09
So, basically, people started to discover it from blogs and from other places. And what were the kinds of things that people started to sell on it initially?
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Robert Kalin35:25
So the sellers were predominantly women and the categories were actually laid out by Leah from Crafters and you know they span in some ways all of the obvious things that you would expect. Everything from housewares and accessories to clothing to stuffed animals. There was a B2B side from the beginning where there was a supplies category and we relaxed or had basically let go of our requirement that something had to be handmade if it was considered a supply. And there was also a vintage category. And a lot of people in the community they would make things but they would also buy from other people who make things.
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Guy Raz36:05
Yeah. But other sites at the time were doing that kind of thing too. So, how did you distinguish yourself from like eBay or other places that sold the same types of things?
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Robert Kalin36:18
Yeah. So, when Chris and him and I were building Etsy, I knew that we needed to have something in our visual identity that really proclaimed that we were different. We weren't eBay. And there was a digital artist who I had an enormous amount of admiration for named Jared Tarbell. And he was doing these kind of generative artworks where pixels would imitate life. And I remember while we were building Etsy just emailing him and saying, 'Hey, we're building this. I'd love for you to create some visualization tools for the items that get listed in the marketplace as new ways to discover what's for sale.' And there'll be all of these ways that we can shop online that you just could never do offline, like arranging everything by color or that you could zoom through a three-dimensional helix showing you all of the items that were listed in a particular category through time. The pitch to Jared was this will be a kind of laboratory where we'll give you a really interesting set of data and you can kind of work your magic on it. And while we were building Etsy, Jared was a little bit on the fence, you know, before any items were listed. And as soon as some items were listed, he was like, 'All right, I'm in.' And Jared would go on to become like your fourth founder. So it would be you and Chris, Haim, and Jared. And he I think he really contributed to the early look and feel of the site, right? Yeah. So even just the first things that he was creating when I was going to the investors and when people would talk about Etsy, they would say, 'Oh, that's the website where you can shop by color.' And Jared's work played a big role in that. So understanding again it all comes back to that storytelling piece of being able to wrap it up in a big flag that you can wave and say like look this isn't what you think it is. This isn't the ordinary stuff. This is something special. And there was a bit of being more philosophical about it and saying why would we just try to reprise offline shopping experiences online? This is a new medium. So, you shouldn't just take a newspaper, put it online, and make it a digital newspaper. We're not just trying to take an offline marketplace and put it online. We should be creating these genuinely new ways to shop.
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Guy Raz38:37
I guess like pretty soon after you launched it, you started to think about obviously this was going to take more money if it was going to become something bigger. And I guess you got in touch with the founders of Flickr, Katarina Fake and Stuart Butterfield, who were married at the time, and you wrote to them because you liked Flickr and you sort of asked for their advice. What tell me the story.
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Robert Kalin39:07
Yeah. So again, early days of the web and they were absolute royalty. I mean, Flickr was one of the first websites to really even the design language really take a stand and say like here's what we're about. And so I remember just writing to them pretty simple, you know, two sentence email just saying hey you know I really admire what you made. Here's something that we built over here and any advice? And I forget who replied first, but they were basically like, 'Yeah, let's meet up.' And I was like, 'Well, I'm not in California.' And there really wasn't a New York tech scene back then anyways. And so, um, pretty early on in the company, we were like, 'Well, let's go out to California and see if maybe we want to relocate there.' So you went out there to meet Katarina and Stuart. And Stuart obviously of course went on and found Slack was on this show many years ago. Um, you went out there to meet them and what happened?
Yeah. So, I still remember the first time meeting them. They definitely kind of took us under their wing mainly on product design and fundraising were the two big pieces. Um, you know, this was probably 2 years into building Etsy, maybe not quite that far in, and Katarina was the one who kind of, you know, she could at that point just pick up the phone, make one call, and get a meeting with different investors. Those meetings were kind of all over the place. That was definitely my introduction to the world of venture capital. And a lot of those meetings, I just remember leaving them being like, I don't understand how that person would want to invest in this. Or I wouldn't want their money investing in this. So, she did a little bit of filtering up front and then kind of worked with me to figure out who he wanted to raise money from in the end.
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Guy Raz41:11
And you were, I mean, I guess the attraction at that point was that you had people set up accounts and they had storefronts and the more accounts they set up the more essentially users you had. And you mentioned that in year one they sold like a million dollars worth of things on Etsy, right? So the artists sold about a million dollars worth of products. Is that right? Is that your memory?
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Robert Kalin41:41
Yeah. So, year one, and again, this is the kind of inertial momentum getting built up in the very beginning of a marketplace, the classic chicken and egg problem. Year one did a million dollars in sales, which looking back on it now is far more than I remembered. And I'm pretty proud of that. And I think that's one of the hardest pieces in a marketplace is to just get the flywheel going.
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Guy Raz42:06
And a million dollars in sales was great but you guys only got 3 or 4% of that. So your revenue was still fairly small but obviously you were showing a trajectory of significant growth.
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Robert Kalin42:23
Yeah. So at that stage any investor is more concerned about you know total addressable market and how big is this opportunity, not you know there's that
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Guy Raz42:33
Other piece of how much we'd already captured and when you're talking with these institutional investors, you know, this was in some ways the best piece of business advice I ever got from Shawn. It's a little bit crass in his Brooklyn way, but he's like, 'You're the drug dealer, they're the drug addict.' He's like, you have what they want and maybe you'll let them invest. And obviously, right, that's very haughty and got a lot of swagger to it, but it was definitely helpful to feel like there was some kind of safety net there in the beginning. So all right. So you, I guess, on a trip, or maybe this first trip to San Francisco, going back to that trip when you met with Katarina and Stuart, they introduced you to some potential investors. And because the idea was, from what I read, you wanted to raise about a quarter of a million dollars at that point.
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Robert Kalin43:31
Yeah. So that was the beginning of this process that has been a kind of long and storied journey, and we ended up raising, yeah, very modest. I think this would have been called our Series B, just to show how much times have changed. We probably raised like 250 grand on a $1.5 million valuation, something in there. And from that point on, most of the fundraising was primarily driven by needing to buy hardware and then just headcount. You know, we weren't spending any money on advertising or anything like that.
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Guy Raz44:09
So when you, I mean when you guys were really, you know, now in the thick of it, you know, you launched in the middle of 2005 and you're growing organically. How, I mean, tell me a little bit about what do you remember about just the work environment? Did first of all, did you guys initially you were doing this out of your apartment, but at what point did you actually get like an office to work out of together?
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Robert Kalin44:38
Yeah. So for the first two years we didn't have an office, and I remember just traveling around the world, bumming around Europe. And when we came back from traveling in late 2006, the community was growing enough that we needed to hire more people to support it, and we're like, well, let's get a small office. So we started looking and ended up finding a place near the Brooklyn Bridge, and we were just going to get part of this floor, and we ended up renting the whole floor. And I was literally for a period of time living there, and it was you know an office building, so they didn't heat it outside of 9 to 5. [laughter] And that first winter I remember I'm you know sleeping on a little blowup camping pad and I'm freezing, and I'm working blissfully you know 18 hours a day on this project, and the rest of the people would come in in the morning.
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Guy Raz45:41
Um, and I may have missed this, so let me ask about this. You were traveling a lot in the first year of Etsy's launch. Why, where were you going? What were you doing?
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Robert Kalin45:53
So part of it was to just kind of go visit all of these different craft fairs, and I would walk around the craft fair handing out these little postcards that said what Etsy was, and 100% of the people had never heard of it and didn't know how to pronounce it. And so part of it was just kind of traveling to start connecting with the community, but just this sense of like, oh, our community is online. We're spanning different time zones and we can kind of check in and work from wherever we want. I guess that was [laughter] a glorious glimpse of remote work way back in like 2006.
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Guy Raz46:30
How were you, I mean, when you would go to craft fairs outside the US, how were you accommodating those sellers? I mean, were you able to, because today it's easier obviously to, just the infrastructure there or Shopify or whatever you want to use, but how did you have like somebody in, I don't know, Germany selling pottery sell to somebody in the US and then also accept dollars? How did you guys make that happen? Was that, I must have been really hard.
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Robert Kalin47:03
So, as much as we disdained eBay, we were definitely standing on their shoulders in a couple different ways. And one of them was our exclusive method of payment was PayPal. And so if PayPal worked in that location, then we were able to just ride those rails. Another piece of it which I think could have ended up making things a lot more complicated but didn't was that Pierre Omidyar decided not to patent all of the basic mechanisms of e-commerce at that point. And so, you know, we were able to learn a lot from how eBay did things and make ample use of one of their services. And so, Etsy was definitely kind of built on the shoulders of eBay in that way. And PayPal was owned by eBay by that point.
Yeah, exactly.
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Guy Raz47:49
Um, and I'm also curious in those early days, in that sort of first year and a half, and it was really a, presumably even once you opened Etsy Labs, it was still a pretty small team. How were you dealing with when things went wrong? Because I have to assume that there were probably more than a few examples of people getting things they didn't like or not being happy with the product or not feeling like they got their money's worth, and they would complain to you guys about it. How did you guys handle that?
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Robert Kalin48:25
Yeah. So, lots of different ways things can go wrong, especially when you're building a marketplace like this. I was just rereading a lot of our early blog posts, and most of the ways things were going wrong was the website itself wasn't functioning. [laughter] And because the scale and the growth of the marketplace was a gentle enough slope, we could learn the hardest lessons when the stakes were lower. And I really like that kind of crawl, walk, run approach to building a business in general. On the seller side, again, we were able to leverage PayPal. PayPal had different kinds of dispute resolution procedures. And so, I'm not proud that we did this, but we would basically just kick people to PayPal's customer support and say, 'Look, if you want a refund, you have to take it up with them.' [music] And that insulated us from a certain amount of that. But that said, if we became a place where it was just scams and shoddy goods, [music] then it would have really hurt the brand. Again, I think the slow growth approach to this helped us there because we didn't really have to deal with high levels of fraud until significantly later.
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Guy Raz49:43
Yeah. This is when the internet was still innocent. [laughter]
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Robert Kalin49:46
I know. I miss those days.
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Guy Raz49:48
Or more. Yeah. Yeah, because it probably was really earnest community of makers, right? And so you probably didn't have to worry too much about people just being jerks because that would come later. And so in terms of curating, I mean, did you guys have any standards for what was allowed? Like, you know, did you have rules about what you could and could not sell? Obviously it had to be initially I think it had to be handmade, but I mean could people sell, you know, for example, like handmade glass tubes to smoke pot out of? Did you have any rules?
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Robert Kalin50:29
So in the beginning it was more, here's our list of categories, and if it doesn't fit into one of these categories, it shouldn't be on the site. And obviously you can get a bit creative with that. My general view on that stuff was again, just celebrate the diversity of it. One of the funny jokes that we had was we defined the vintage category as something more than 20 years old, and when people were challenging what that was and we were trying to clarify the terms of service, there were plenty of VHS players that were 20 years old, and so [laughter] it's like under our rules you could list a VHS player on Etsy, and it just felt so wrong. Like someone listed a Ferrari on Etsy once, and I was just like, and not even in the vintage category. [clears throat] [laughter] It's like, well, what's interesting is the marketplace itself develops this kind of immune system, and so when they list that, hundreds of people flag it. It's just this beautiful expression of humanity and all of our foibles and imperfections, and I think ultimately we tend to love things for their imperfections.
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Guy Raz51:34
I know that that pretty, early in the early days, some of your co-founders left. But how did you guys, I mean, how did just the sort of interpersonal relationships, you know, how did you guys get along? Because it's stressful, right, building something together, especially when there you start to get investors behind you. How was the relationship?
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Robert Kalin51:59
Yeah, in the beginning there was just this incredible sense of camaraderie, and we're all in this together. It doesn't mean to say there wasn't plenty of arguing. There were just so many things we were doing that it was the first time everyone at the company had done it, and we would be making these first timer mistakes. And Jared was recently sharing a story with me where when we were in Noe Valley and walking to get lunch, one of the other guys was just berating me about something, and Jared thought he was witnessing the dissolution of the company. And after lunch, I was like, 'No, that's just normal.'
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Narrator52:35
When we come back in just a moment, Rob confronts a new normal that he did not see coming. He gets fired. Stay with us. I'm Guy Raz and you're listening to How I Built This.
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Guy Raz55:16
Hey, welcome back to How I Built This. I'm Guy Raz. So, it's 2008 and Rob is starting to realize that as the CEO of Etsy, he's kind of in over his head. So, he eventually decides he needs to bring on someone else to help grow and focus the business. You know, again, I'm at this point 28 and I don't know how to interview someone for this level of job. And so I started interviewing someone with more experience for a COO role and ended up hiring Maria Thomas from NPR.
and I started interviewing someone with more experience for a COO role and ended up hiring Maria Thomas from NPR.
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Robert Kalin55:56
That was a really interesting crosscurrent in this office full of younger folks who are just kind of very earnestly going all in and are very much part of the community that they're serving. And then Maria entered and just brought with her a very different culture. You know, I still remember the first all hands meeting we had where I introduced her. In her opening speech, she kind of said the most important thing for us to do is execute, execute, execute. And I could just kind of see the air go out of the room. [laughter] Like that's such a strange word to focus on. And I tried to kind of make it into a joke. And she had her way of doing it, and I wasn't about to assume that, oh, this is wrong for Etsy. So watching her work and giving her the space she needed to run operations, I definitely learned a lot. And it reached a point where I was like, look, you know, the way that you're doing this is so different from the way I'm doing it. I think you should just do it. So you should be the CEO. And looking back on it, it's quite easy to see that culture piece was too important to be a mismatch at that phase of Etsy's growth. And so she ended up not being the right fit in that role. But I initially transitioned to being chief creative officer and then just a board member.
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Guy Raz57:24
Right. Yeah. I should mention, I haven't seen Maria Thomas in at least a decade, but I knew her a little bit when both of us worked at National Public Radio. She had been the head of digital media there. And so she came on initially COO and then essentially became CEO. But you said that it wasn't the right fit. Why? I mean, you wanted a professional to come in and make this company stronger. So, first of all, what was it about her? Clearly, you had felt that she was the right fit for an operational role. So you must have liked her. You must have thought that you got along.
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Robert Kalin58:05
Yeah, we got along. I definitely enjoyed the early discussions. The culture piece becomes evident in a couple key ways. And remember that Etsy's commerce is very much kind of standing on the shoulders of the community side of Etsy. And so that community, especially the community of sellers, she just wasn't a part of that. And at that particular point, there were just too many consequences that fell out of that where she didn't see Etsy for what it was and what it needed to be.
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Guy Raz59:12
I mean, from what I understand, what I've read about the company, I mean during that period, it was a tough period because this was the recession, it was a financial crisis, but remarkably, Etsy actually really benefited from people not going to traditional retailers and looking at Etsy for maybe ways to save money. So actually it turned out to be a pretty good time from a financial perspective and a growth perspective for Etsy.
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Robert Kalin59:12
Yeah. Yeah, I always did my best to insulate the majority of the company from any kind of financial concerns. Even in the early days working with the engineers, they would tell me how much money we needed for hardware and I would go out and raise the money. So there really wasn't much of any financial pressure on the business. Building it through the recession, it was approaching profitability at this point. Again, you know, we're a marketplace. This business model's kind of baked into how we run. And this interesting shift happened probably starting with Maria where this sense that who's your primary customer. For me, Etsy's primary customer was always the sellers because they were the ones that we were collecting our revenue from, and the buyers were our sellers' primary customer. So our role as a company was to support our sellers as best we could. And you look at a marketplace like I would say Etsy now or eBay, and the primary customer is clearly the buyer, where the whole experience is optimized on the buying side to the point where, you know, I pay a listing fee and here's my item, but the website is going to place other items on that page that are similar because it's catering to the buyer now. It's not really there to support the seller.
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Guy Raz1:00:30
And that really started under Maria where she was like, we need to focus on the end buyer, the person going to the website.
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Robert Kalin1:00:37
Yeah. I think that shift started happening then. And is that wrong? I don't think so.
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Guy Raz1:00:44
No, I mean, it sounds like there was a tension came from... I mean, you're the founder, and then you brought in a professional COO who becomes a CEO, but you're still there. And in some ways, I think you would even admit this, it almost never works out because when a CEO is brought in and the founder still has power, it creates a lot of conflict. I mean, usually it works out when the founder leaves and a new CEO is brought in, but when they're both there because the people in the company don't know who to go to. I'm sure half the people, maybe lots of people in the company were going to you and they were like, 'Hey, I'm not really happy with this decision that our new CEO is taking.' And you were like, 'Yeah, well, let me see what I can do.' Is that fair? Was that happening?
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Robert Kalin1:01:33
I'd like to think that wasn't happening. Even just at the most practical level, I didn't stay in the CCO role for very long. I completely removed myself from the day-to-day operations of the company. And I didn't want to do anything that was going to undermine the authority of this person that I just suggested to run the company. I cared deeply about the company more than anything else.
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Guy Raz1:02:04
So she eventually steps down and you are brought back in to become CEO in 2010. And did you feel like, you know, often times that could have been a great opportunity for you to watch a professional run the company and to learn things and maybe gain more experience and come back in with a sort of renewed vigor. So when you came back in 2010, back to running the company, did you feel like, okay, I got this?
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Robert Kalin1:02:36
Yeah. So that was a really interesting time for me because I'd spent a year being immersed on the community side of Etsy again and just making things. And when I was asked to return, I was like, if I go back and do this, it needs to be in a much more mindful manner, not this kind of ad hoc, let's just do my best and everything's going 100 miles an hour. So I remember really thinking about that. And then when I rejoined, Etsy was in a new office. They totally moved offices. The office was concrete floor and fluorescent lights. And I was just like, 'Oh man, that didn't feel right.' So we put a wood floor in and put warmer bulbs in the fluorescent lights. It sounds so trivial saying it now, but the office didn't reflect the ethos of the company. And then she'd hired a lot of senior people where I think taste is one of the most ineffable things about the human condition. What gives someone some kind of taste and not another? And so, her whatever was guiding her hires for people to run things like marketing and customer support or anywhere else just also didn't fit. So rejoining was a bit of getting it back on the rails. And that part felt good. So I wanted something to kind of show when I was returning that we're going to make some changes. So I remember like throwing a coffee mug up into the air and this look on everyone's face when it's just in the air before it drops. Like that look of expectation and excitement and then it smashed. But I was like that feeling is what we need to have here as we're building Etsy.
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Guy Raz1:04:26
You were basically 30 years old when you were brought back, but you had started the company five years earlier. There was a lot of you in the trenches with a lot of people. And I imagine it was probably people were excited. But there were also, and I'm sure you remember this well, while you were CEO, there was an article that came out in I think Inc. magazine. It was critical and it had some quotes in there that were a little bit, shall I say, unfortunate. You said, 'I speak to people in the business world and technology world, but I don't admire them.' You were quoted saying, 'I think trying to maximize shareholder value is ridiculous.' Even if you did believe those things and felt that way, sometimes you want to not say that.
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Robert Kalin1:05:21
Oh yeah. And you need to learn the lesson to not say those things. So at that point, I didn't. First, it was taken out of context, and contextualizing those things with what comes before and after helps make more sense of them. That's one piece. Another, for sure, still learning. I didn't even know that if a reporter is recording you, they don't have to run any of the quotes by you before publishing them. And yeah, that was very humbling. Lots of lessons to be learned from that experience.
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Guy Raz1:05:55
I hope this is not like piling on, and I'm not, but this is important because we're talking about now more than 10 years ago and what you've learned from it and obviously how you've grown. We'll get to today. But you know, one of the things in the article, and again I'm sure there are people who could say things about anybody, anybody listening, me, anybody, but somebody in the article said working at Etsy was like being in an abusive relationship. In that same article, you were kind of described as being erratic, and you'd have 20, 30 ideas a day and change course, and you weren't a great manager. Do you think that some of it, maybe a lot of it, was unfair, but was there some of it that was accurate?
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Robert Kalin1:06:46
Oh, I'm sure. And no worry about piling stuff on. I am amazingly self-critical. I can't walk by a stick without picking it up and finding some way to hit myself with it. So these were things where like, what's your... Let's see. I think everyone's frame of reference for these things is different. And I was trying to get a better sense of how to manage and all of these things. I don't ever remember once yelling. I just don't raise my voice at all. And then you read these biographies of Jeff Bezos or Steve Jobs and they're screaming at people that they're morons in front of the whole company and all of this stuff. And I'm just like, is that what being in an abusive relationship looks like, or is it something a lot quieter and a lot softer? And you know, one of the things I did that I remember bothered a lot of people was we had these conference rooms with lots of glass on them so you can see in, and there were these meetings where it very clearly to me at least, half the people in the meeting were just like the shipment over half an hour ago and it's just dragging on. And so I was working late one night, probably 8 or 9:00 p.m. Some people in customer support are still there. And I was like, let's just remove the chairs from the meeting room because if it's not worth standing up for, you shouldn't be having a meeting. To me, this is just something that's a bit cheeky. And lo and behold, the next day the engineers are doing some kind of long triage of something that happened and there's no chairs in the room. And eventually they just end up bringing the chairs back in. So I'm sure that and I doubt I even understand all of the different ways that I, to frame it positively, needed to improve. I did really feel like I was on the path to learning that. And again, I'd stepped aside once. I was not holding on to that position with tight hands. I was coming back to it and saying, let me do a better job here. So I got a CEO coach and eventually hired another COO, Adam Free. Again, in the back of my mind, there was a piece of me that's just like the culture needs to change and that's the direction that it needs to go in.
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Guy Raz1:09:15
So, all right. So, you're working on your leadership and this article comes out, which obviously wasn't a great article, in Inc. And I guess a couple months later, you were fired by Etsy's board. And this came as a real shock to you. You did not see it coming at all. Tell me about that. I mean, is that the case? Did you not have any inkling or indication that that was on the horizon?
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Robert Kalin1:09:48
Yeah, absolutely no idea that it was even within the realm of possibility that would happen. And again, this is one of those situations where looking back, it's much easier to see things. So Adam had joined as COO and pretty early on in that relationship, we started trying to figure out what that dynamic was and not just amongst ourselves, going to a kind of executive coach, working stuff out. I think we both felt that there was a bit of that culture mismatch and I definitely didn't support him the way that I should have. You know, I remember this meeting where we had to reclassify all of the customer support workers from being full-time salaried to having to keep track of their hours. And it's ostensibly for labor laws to protect them, but it also created this whole second class of worker inside the company. And it sucked having to do that. But Adam was kind of leading that process. And I remember this meeting where it was being communicated and I was standing in the audience and he was standing up front with the head of HR and they were trying to pitch it to the customer support team. They were dressing it up as this is an improvement, and it was just not Etsy's culture. And I was standing in the audience and I had the same reaction to it that they did. And I obviously hadn't been involved enough in preparing what the presentation should have been, all of that stuff. And I remember talking about that with Adam afterwards and I was like, look, the way to do that is slide one says this sucks, and slide two says this really sucks, we don't want to do it. And you just talk to them, don't wrap it up like that. And I'm not even saying my way is the right way to do it. It's just knowing the people in the room. So that was one piece, my relationship with Adam wasn't great. The investors were checking in with him, and I had a bi-weekly lunch with Fred, one of the investors. Fred Wilson. Yeah, Fred Wilson. I thought I was just going to lunch to chat about Etsy, and went to their office and met him, and he told me that I was fired, but he didn't tell me why. And he just said, 'We have to do this.' And I remember saying, 'You don't have to do this. You're choosing to do this.' And the whole process felt like it was something straight out of a Kafka novel. And I'd already stepped aside once. So I remember when Fred was like, 'You need to go.' And the strangest part of that experience to me was, he's like, 'Do you want to resign?' And I'm like, 'What would that look like?' And he said, 'Well, you'd stand in front of the company and tell everyone that you've decided to leave.' And I'm just like, 'Who would believe that?'
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Guy Raz1:12:55
But Rob, at the time, didn't anyone sit you down and clearly explain to you why you were being fired? I mean, this is 12 years ago now, and I don't know, maybe you've had a chance to get more insight into it by now, but looking back, did you have any idea or were you pretty much in the dark?
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Robert Kalin1:13:16
So, I've tried to reverse engineer why I was fired so suddenly, and it hasn't been easy, but I did reach out to one of the investors in advance of this interview to try and learn more about what actually happened. And he did shine a little bit of light on the situation. The feedback that he gave me: sometimes I was too involved, sometimes I wasn't involved enough, and sometimes I was a bit unkind. And fair enough. I would have greatly appreciated that kind of feedback at the time.
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Guy Raz1:13:54
So you were out, and I imagine it obviously came as a shock to you, and I imagine it was also just emotionally very challenging because it's like a death.
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Robert Kalin1:14:08
Yeah. I was wrecked for quite a while. I mean, I'd obviously built up a lot of my sense of self-worth around here's what I do, my identity wrapped up in it, my friends, where I lived. I remember this moment before this happened where I was living in Red Hook, Brooklyn, and I would ride my bike everywhere and I'm just riding to work and it's foggy and Manhattan's to my left and I'm just looking at Manhattan and biking to work and my fiancée was at home and I was like, 'Wow, I figured it out. I made it.' And this feeling of accomplishment and stability, and then it's just like nope. Everything we think is solid can just crumble in that sense. And yeah, it makes it hard, but I've also come to peace with it. The anger is gone. It's just sadness that lingers.
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Guy Raz1:15:08
You left presumably still with a significant amount of equity in Etsy, right? I have to imagine.
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Robert Kalin1:15:49
Yeah. So those two different things are connected that you said. So, I had some equity. I didn't have a huge amount. When the company went public, I didn't even make the threshold of shareholders with over 5% that you have to disclose. So, I had some equity in the company. I couldn't do anything with the equity. I couldn't sell shares. And then once Etsy went public, my shares were locked up for a year anyway while the share price was falling. And I was trying to communicate with people at the company to arrange some kind of secondary sale. So that was interesting. Now I have to talk with Fred about trying to sell some of my shares. And Fred was very professional about all of that. I think that has to do with my own personal coping mechanisms, too. Compartmentalization was there a bit. Geographical compartmentalization really helped. Just getting out of Brooklyn was really helpful.
Yeah. So what was interesting was that that whole piece of my identity that was built around I work at a tech company has no cache in Catskill, New York. And that was great. I worked with a group of moms to start a preschool and then eventually start the Catskill Montessori School, which has over a hundred families at it. I've also been doing some work with the local public school and yeah, reconnecting with this sense of place and sense of purpose outside of I live in a big city and I'm working at a tech startup.
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Guy Raz1:17:38
So, I guess in our conversations before this interview, you mentioned that you're working on something at the intersection of technology and humanity. You mentioned it's still a secret. Is it still a secret? Can you talk about this? Because it sounds like this is your really your biggest endeavor in a big way since you left Etsy.
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Robert Kalin1:18:01
Yeah, this is what I hope one day to come back on this podcast and talk about and show all of the lessons that I've learned. The new endeavor, I'm working with a pair of absolutely brilliant engineers, one of them a close friend from Etsy, and it's at the intersection of early childhood development and technology. The general thinking is there's this famous story where a journalist asked the Wright brothers why did you succeed in building the world's first flying machine when thousands of people have been trying, why you? There's nothing special about you guys. And they think for a minute and they say, well, no, there is something quite special about us. As children, we had access to our father's workshop and we encountered these tools. And if we didn't have that experience as children, we wouldn't have gone on to do what we did, which is what led us here. And there's this long history of making beautiful hardware for children in order to calibrate their senses and learn about the world around them. You have Froebel's gifts and Montessori sensorial materials, but no one's updated that hardware. So I'm trying to, I think there's a whole continent of computing in between the blocks that children play with and the way technology currently lands in their lap, which is just phones and tablets and reduces them to poking at pictures under glass. So we're exploring this continent of computing and don't have anything specific to share yet. We're starting to work with the school up the road now, but hopefully you'll be hearing about that shortly. Going back to the Wright brothers thing, there was no reason why those guys were the ones to make it except for what they said, right? They started out playing around their dad's tool shed. There's no reason why Etsy was going to make it. I mean, there probably were 10,000 reasons why it should have failed or could have failed because it was too early and the business model wouldn't have worked. But today, it's a powerhouse. It is a publicly traded company with a market cap of $8 billion as we speak today. And you were raising it at $1.5 million. So your investors did very well. Your early investors did extremely well. It's a powerhouse.
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Guy Raz1:20:33
I don't know what do you make of it when you look at it today?
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Robert Kalin1:20:39
Yeah, there's this kind of air of inevitability to it with the 10,000 ways it could have gone wrong. It almost seems like it's the inversion of that where we did 10,000 things that could have pushed it off the rails and it didn't go off the rails, including management stuff and my own shenanigans. So how did it persist? And I think ultimately the heroes of all of that are the sellers, and that, you know, in many ways that's who we should all tip our hats to. So here's this publicly traded company and the people who are running it, I'm guessing, are not part of that community of sellers that they're serving. And I would also venture to guess that Etsy's primary customer right now isn't the sellers, it's the buyers. And so it's going to keep optimizing along those lines. So it's just different. It's obviously put a huge financial cushion under me. I come from peasant Ukrainian stock and now have more wealth than the prior 50 generations of my family or whatever. And one thing that I really enjoy is the fact that there's a secret that this word that I made up is on the lips of so many people. Just the stark contrast of going to those craft fairs in 2006 and handing out these flyers and nobody knowing about it to now being at a concert and knowing that anyone I walked up to say, 'Hey, do you know about this thing?' they'll have heard it.
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Guy Raz1:22:19
When you think about the journey you've taken and what it's enabled you to do despite the, you know, very traumatic exit, how much of your success and where you are today do you attribute to your work and your intelligence and how much do you think has to do with the luck that broke your way?
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Robert Kalin1:22:44
Yeah, such a great question. How much of it is under my control, which is my own hard work, and how much of it is out of my control, which is luck. And the older I get, the more it feels like there's at least one other force in play, a kind of karmic force or providence or whatever. So without all of these different forms of luck of being born in the United States, of being born in a middle-class family, of this really strange path that I took through school, of literally handing my rent check to my landlord when he happened to be holding a piece of paper to make a proposal for a website. Like how can you look at that and not think it's both luck and some form of providence? So I think that's the prerequisite and then all the hard work is what follows and you get to lean into both.
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Narrator1:23:49
That's Rob Kalin, co-founder of Etsy.
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Guy Raz1:23:50
By the way, when you guys were at Etsy, what was like the weirdest thing that you saw somebody put on there, and you were like, I don't know if we should allow this thing to go on sale at the site?
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Robert Kalin1:24:05
Uh, there was one class of items that took off that I didn't even know was something that existed, and that is penis cozies. And they are hand crocheted cozies for male genitalia. And generally the community was totally supportive of that, and I thought it was a rather lovely expression of all of the different values and crosscurrents at play in the Etsy marketplace.
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Guy Raz1:24:42
I don't even want to imagine what somebody needs that for. Wow. Hey, thanks so much for listening to the show this week. Please make sure to click the follow button on your podcast app so you never miss a new episode of the show. And as always, it's free. This episode was produced by Carrie Thompson with music composed by Ramin Arablouei. It was edited by Neva Grant with research help from Sam Paulson. Our production staff also includes JC Howard, Casey Herman, John Isabella, Chris Messina, Carla Estes, and Malia Aguello. Our engineers are Gilly Moon and Patrick Murray. I'm Guy Raz and you've been listening to How I Built This.