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Chris Best
CEO & Co-Founder, Substack

The AI Slop Problem Nobody's Talking About | Substack CEO Interview

🎥 Jul 22, 2026 📺 AI News & Strategy Daily | Nate B Jones ⏱ 46m 👁 10247 views
Substack just shipped AI detection, and I sat down with co-founder and CEO Chris Best to talk about what a detector can and cannot see in your writing. Full post: https://natesnewsletter.substack.com/... My Links 🔗 👉🏻 Newsletter: https://natesnewsletter.substack.com/ 👉🏻 X: https://x.com/natebjones 👉🏻 TikTok:   / nate.b.jones   👉🏻 Instagram:   / nate.b.jones   What's really happening inside AI detection on Substack? The common story is that a detector tells you whether writing is real, but the real question is whether anyone meant what they published. In this video, I share the inside scoo...
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About Chris Best

Chris Best, CEO and co-founder of Substack, discussed the platform's approach to AI-generated content in a July 2026 interview. He described "slop" — content that "nobody believes in" — as "the foil for Substack," stating that the company exists to help people "make things they believe in and make money doing it." Best characterized the extreme use of AI to generate large volumes of content as "a denial of service attack against the public square." He noted that Substack had shipped an AI detection feature, and expressed interest in measuring for originality and perspective rather than simply detecting AI text. Best said that "anti-slop is a pro-AI stance understood correctly," and that he values AI tools like Claude for their own opinions but does not want humans to serve as "a thin wrapper on Claude." In a June 2026 conversation with Oliver Habryka of LessWrong, Best explored the nature of media in the age of AI, expressing confusion about the topic. He suggested that current AI systems may not be "quite smart enough" to produce essays that do not "suck," but speculated that this could be a temporary limitation. At Substack's Once and Future Media Forum in May 2026, Best argued that the value of media comes from "perspective" and "relationships built on trust," and criticized the idea that AI summarizing work for a few cents per use would be sufficient. He stated that over 100,000 publishers are making money on Substack, with the top ten collectively earning more than $100 million per year.

Source: AI-verified profile updated from Chris Best's recent appearances. Browse all interviews →

Transcript (67 segments)
I
Interviewer0:00
Chris, it's great to have you on here. Tell me about you, about yourself, how you got into this problem space. Would love to hear a little bit about it.
C
Chris Best0:07
Hey, my name is Chris Best. I'm the co-founder and CEO of Substack.
I
Interviewer0:12
Amazing. And I know that we're talking a lot about AI slop today. We're talking a lot about what Substack is doing about that, how you're thinking about it. Maybe walk me into how you recognized this was something that you wanted Substack to address and sort of your perspective on the whole problem space and we can kick it around a little bit.
C
Chris Best0:31
Yeah. You know, I guess in some ways slop defined broadly as, you know, content that nobody believes in is, I kind of think of as the foil for Substack. The thing that we exist to do in the world is help people make things they believe in and make money doing it. And so, you know, defined broadly all the way from spam to clickbait to, you know, generic soulless stuff. That's sort of the stuff that Substack, you know, exists to provide a real alternative to. And then I've had the experience, I think many people have, you know, over the past 12 months on the internet, having this feeling of more and more places that I spend my time and life online feeling kind of like inundated with things that I perceive or I feel as slop. Um, things that are, you know, thoughtlessly made or that are presented as sort of deep work by somebody but are actually kind of recognizably like clawed copy-paste. Um, so I sort of as just like a consumer of the internet, I kind of had this feeling. Um, and then there's been, you know, I started talking to the guys at Pangram who are one of the sort of leading, you know, AI text detection things and they have, they had launched a Chrome extension where they could, you know, you can kind of turn it on and see for yourself what you're reading online. And they put together some stats of kind of like how prevalent is this on a bunch of major platforms. And the stat that kind of blew me away was for long form writing on LinkedIn something like 40% of it was fully sort of generated according to their measures. And that's not a perfect correlation. It doesn't mean that, you know, I think of it as not all AI is slop and not all slop is AI, but if you just think of, you know, the share of text that's human written changing dramatically in the places where we spend a lot of our time online, it just seems very obvious to me that this is going to be a major, uh, a major change and a major thing that platforms and people get to navigate.
I
Interviewer2:43
Yeah, I very much think so. And I think that's why, like when you sort of scouted the idea, the first thing I thought was we got to talk, like we got to have a conversation about this because one of the things that's been, you know, really interesting for me is to see exactly the same trend line that you talked about, but to see it both from the wider internet perspective and also from inside organizations. So when I'm inside organizations now, you have kind of the same issue. You have docs that are written and no one knows what's in them. Sometimes it's slacks that are written and you can just tell it's like the you're absolutely right fallacy, right? You can just tell that there's sort of an AI smell about it, right? Somebody said the PR to review and you're like I'm the first person that's read this. I just know I am. And I think that that's a problem because, you know, Substack, at least my perspective, is Substack exists because the public square is where thinking about the public square is something where we want to have a rich dialogue. We want to have human conversations. And that requires humans to show up and humans to think. And AI is certainly a part of that discourse. And I've certainly been at the forefront sort of with my Substack corner talking through a lot of that. But if we don't bring our human intent into the picture, it's going to be really hard to convey thinking that has lasting value. And that's like if I think about the foil that you're talking about, the contrast between slop and not slop or slop and anti-slop, it comes down to, you know, intent and it comes down to thoughtfulness and engaging with the material. And then some people are going to use AI like a paintbrush and work within their intent and their thoughtfulness and try and create something. Some people are going to write it by hand. And either way, those can be different flavors or different places on the continuum, and there's going to be other people who are, I think the example you gave in our earlier conversation was really great. They're going to tell Claude, make, you know, a thousand blog posts and make no mistakes and they don't even know what's in them and they're doing it because of, you know, an SEO play or whatever they're doing. And that doesn't contribute to the public square.
C
Chris Best5:01
Yeah, that's the real dividing line to me. You know, I have no interest in policing what tools people use. You know, we're sort of anti-authoritarian, pro-freedom, give creators the means to do the thing. But I do think there's a dividing line between I'm using tools to make something I believe in versus I'm kind of gaming a system cynically to skip the step where I have to believe in anything at all. You know, the extreme version just being, yeah, you know, hey, Claude, write a thousand viral posts, make no mistakes, off you go. And the problem with that is it's effectively like a denial of service attack against the public square, right? It's not just a problem of, oh, I made a thing and it was bad. Even if it's good, the problem that happens is then as a reader, as somebody who's spending time online, you have to be constantly wondering, is this real? And under those conditions, it's hard to discover and find value in new things. Like as I've been having these conversations, I've talked to people that have told me things like, I stopped reading new writers or I had to stop going in my comment section at all because a few times it happened that I would get sucked into some long conversation with somebody and it slowly dawned on me that it wasn't a person at all. It was kind of somebody had done this thing that said, hey, you know, do some replies and max out my account. And I think, you know, there are some people who are sort of anti-AI overall and who think, you know, only humans should ever do anything. You know, we have space for those people, but I'm not coming at it from that perspective. You know, the way I see it is like, hey, AI gives us new superpowers, but it also gives us brand new ways to be annoying on the internet, and we're just going to have to deal with that.
I
Interviewer6:55
So true. So true.
Sort of on that note, I think when you look at the problem of AI, it is notoriously sticky or difficult to separate out the use of the tool from the responsible use of the tool. And so I'd be curious how you're thinking about essentially nurturing the public square, which to be very honest with you, part of why I came to Substack was I liked the quality of the discourse on Substack when I joined. And I was like, I feel like this is a place where I could call home. I feel like this is a place where I could write and it would feel like it was the right square, the right discourse, the right channel, the right place for me to have a conversation at a thoughtful, strategic, high context level and I want to keep it that way and I know you do too. And so I'm curious like when you think about the sort of differentiating tool use from responsible tool use, how do you think about that?
C
Chris Best7:56
Maybe the biggest thing is I do not feel like we have all the answers or even should have all the answers. This is kind of like a new world we're all kind of entering this new world together. And at the same time, you know, because things are moving so fast, I don't think we have the luxury of waiting around indefinitely and kind of like we'll just see how this all shakes out because I think you could, you know, you could wake up and have the Substack app feel like LinkedIn very quickly. Um, and so the thing that we're, you know, I think this will be out by the time this airs, the first step we've taken is to build an integration into the Substack app with the Pangram tool. And so if you're just using the app as you would, there's no change. But if you're somebody who's curious, you can go to a long form piece of text and basically do a scan that says, hey, according to the Pangram estimate, do you think this text was, you know, AI generated or do you think it's written by hand? And crucially, that's not the same thing as was this made with deep care or not. And it's not was this even AI used in various parts of this. The thing that the technology allows us to do with like a reasonably good accuracy is kind of just be like, you know, did this text go through an LLM as it was generated? And my view is, hey, we're going to kind of just start with like put that on the table. Let people, you know, let people see that fact for themselves and have an opinion about what that means for them. You know, my experience using it has been, you know, I think there are some times when it's almost everybody thinks it's totally fine. It's like, hey, I'm looking up some information from ChatGPT. You know, almost everybody does that. Almost everybody finds that useful. And then there's kind of like the other end of the spectrum. I don't know if you saw this when the OpenClaw thing was really hot, but there was a guy that was having his OpenClaw bot respond to text messages from his wife.
I
Interviewer9:58
I did see that. My wife and I had a conversation about that.
C
Chris Best10:02
And I think you know that's the other end of the spectrum. I think like almost everybody sees that as maybe not being the kosher use and then the thing is like I think so there's kind of this spectrum of in what spaces online is the implicit contract between reader and writer. Hey, I'm going to make something for you that's carefully crafted and I'm going to use a bunch of tools. And then are there other spaces where you know in the comments section or in your DMs or in these other places like I think part of my theory here is that the places that are responsible AI use should stand up to transparency, right? You should be able to say, yeah, I used this, this is how I use this, and the reader should be able to see that and say this is cool. We're also giving a little option for you to add like a how I make this statement. So, if you want to provide extra context about, hey, here's my process or here's what you can expect from me. You know, we're kind of starting with just giving some transparency on both sides of the relationship, giving writers the tools to check these things for themselves. And I kind of see it mostly as a way to sort of open this conversation. We're not coming here and saying what you can and can't do. We're not coming here and shutting anything down or doing anything like that. We're kind of as a first step. We're just introducing a one tick of transparency so people can see what's happening.
I
Interviewer11:28
Yeah. And it's sort of a step into the problem space I think and I think it's an important one because you don't want to be in a position in a year where you see the number and it's 40% on Substack.
C
Chris Best11:40
And yeah, that would be bad for everyone I think.
I
Interviewer11:44
And I will say I think it's really interesting to talk about the Pangram concept because it may be worth sort of fleshing out, but Pangram partly works by essentially learning that LLMs have what we would call a particular peak around the way they use language. And for whatever reason, reinforcement learning, pre-training, etc., they have centered around a particular way of expressing language. And Pangram finds a way to measure that, but that is also somewhat steerable with individual models and individual skills. And I saw someone who released a fine-tune of a model that was specifically fine-tuned to be more human and they were getting like very low Pangram scores etc. And so I think Pangram feels like a way to essentially call out transparently that this is something that we need to talk about publicly. It literally surfaces it into the public square. And I think it gives creators like me an interesting opportunity to talk a little bit more about how we create stuff, right? I have over 20 different skills that I mess with in Codex and also in Claude that are related to writing. And a lot of what I spend time doing, I use Whisper Flow in my creative process. And I spend a lot of time essentially arguing with the AI around the way particular ideas are expressed and how clearly they're expressed and how well it corresponds to my intent as the person who's putting the piece out there. And I think especially with sort of what I've put together, I'm always looking to sort of incrementally move the ball forward on a particular corner in AI with what I write. And so I want to make sure that particular concept for the day is extremely clear. And in you know some days it's workmanlike prose, it's not particularly soaring. No one's going to say it's the Declaration of Independence, but it's clear. And I find that the classic LLM-isms, the sort of dramatic contrast, the LLM self-talk, the way headlines tend to be over-dramatized a lot, that tends to get in the way of communicating to my audience. And that's part of why I have a bunch of skills that are essentially designed to work on weeding that out, right? How do you get it so that it's cleaner prose and it sounds more like frankly good technical English.
C
Chris Best14:13
And how hard do you find you have to push it both on the prose and on the ideas themselves?
I
Interviewer14:21
This is really interesting, I'm glad you asked that question because those are two different answers I think. On the idea itself when I come to the piece and I have initial clarity in myself on the thesis and what I want to communicate and how to say it. It will often be like a 10-15 minute unbroken whisper transcript that I give to start things off because I have so much in my head and I just want to get it out. And with today's LLMs, like with 5.6 or with Fable 5, it's just not a problem. They don't have an issue with that length of context or anything like that. And so that gives the LLM a flavor of my voice and the way I approach it. And then at that point, the clarity is already there from the beginning. And it's just about working with the LLM to make sure it doesn't wreck the clarity. And sometimes I have to be that blunt. I will see drafts that I get back in that situation where I've been clear at the beginning. And I will say, you wrecked my clarity, you saw it off. Because LLMs tend to be cautious by nature. And part of what I'm trying to do is move the ball forward. And so if they're cautious by nature, I'm going to get a watered down version of my thesis unless I'm deliberately pushing it to actually listen to what I said. And so in that process, my drafting tends to be no, listen to my original vision. Respect it. You're extending it. You're putting into good written prose, we're cleaning up some of the verbal ticks, etc. But it's fundamentally got to be as bold as what I put on the screen. And that process, that's what the sort of the pushing looks like being faithful to the original vision. Whereas on the other side there are days when I am wrestling with a concept and I know there's something there but my initial transcript in is not clear and I know it's not clear because I'm still trying to find the idea.
C
Chris Best16:09
Right. This is where people might in the past have said that writing is thinking.
I
Interviewer16:14
Yes, like you haven't actually finished thinking about this is maybe one way to say that.
And I'm very transparent with Codex about that. So when I talk I'm like this is not a finished thesis. These are the three or four threads we could pull on. These are some things maybe I don't want to go toward and I list them out. And then I ask it to go back and forth with me. And so then it's more using Codex as a thinking tool. So that it's almost co-writing with me. And people think, oh, it's co-writing in the sense that it's finishing your thinking. But it's actually more giving me like the wall to bounce the tennis ball off of so I can wrestle with the idea and come back to something that I feel really good and have high conviction on. And so those drafting processes are longer and less certain. I have been through processes like that where it will be all day with Codex and 17 drafts and all AI is doing at that point is helping me draft faster because normally I wouldn't get through 17 drafts in a day but now I can and that helps me to iterate toward clarity and then I can start to really push on the prose and the styling. But if you're doing 17 drafts you're pushing it, right? You're just saying this is not good enough. This is not good enough. This is not good enough. And it goes higher than that sometimes because I just have an itch or it feels wrong somehow when I'm not pushing the AI to line up with the vision that I have.
C
Chris Best17:41
Yeah, this has been one of the interesting experiences I've had as I've talked because I've talked to a whole range of people across the spectrum of AI use all the way from like I would only ever type things with my human fingers all the way to, you know, people. To me, the thing you're describing is, you know, what I would think of as like sort of like high perspective use of the tools, right? It's like, hey, I'm actually trying to get my perspective out into the world. I care a lot about the outcome. I'm using this tool. And an interesting thing I found is that everybody across that spectrum has had like a really strong worry about the AI slop quotient because the problem is there's a low effort version of that that can be hard to distinguish at first blush, but that can kind of take over the comments, can take over like it can make it harder for that stuff to be differentiated and break through. And this is part something we talked about that I think might be interesting to get into here. I think there might be a sci-fi technology that I wish would exist that doesn't exist yet that would be the perfect thing because, you know, the part of the thing with the Pangram thing we're giving you the ability to put down some notes of your thing because the thing that we're going to find is if you're somebody who does 17 drafts and thinks about it and bounces it back and forth, you may end up with something that is still like the text of the final thing is still AI output.
I
Interviewer19:17
Mhm.
C
Chris Best19:18
Right. The text according to Pangram or whatever is generated by the thing but it's used to be the case that basically when you read something on the internet, if you read a long thing, it's almost by itself a proof of work like somebody has put enough thought into this to at least write it out. Maybe terrible thought but at least somebody spent this much attention. And now it's actually like it's hard to differentiate that from the person who just says, hey, write me 10,000 plausible sounding AI takes. Make no mistakes. I'm curious like how you think about that and what you think if you think there's like a technological root thing that we actually want is there.
I
Interviewer20:01
Yeah, I that's a really good question. I think so. I think in some senses we a lot of the AI discourse is focused on the physical typing of the human fingers. Like where do the words come from? Either when I type them or when the AI magically types them. And I think when I have spent, you know, almost every day for the last couple of years wrestling with AI trying to push ideas, the thing that leaps back to me is if I have to push the AI this hard on ideas really implicitly, there's some sort of averaged central distribution of ideas that AI tends to favor. There's a gravitational sync if you will around a particular subset of concepts. I think one of my favorite examples actually is if you tell AI to make any kind of list or formal document about artificial intelligence, it will always without exception have something on ethics and governance whether you asked for it or not. It just it's just baked in. And I found that to be an issue in some of my pieces because not every piece needs to have that, right? And I write about AI a lot. And so it's something that I actually have to think about how I handle and where I emphasize that and where I don't. And as a human, I have a much wider conceptual pallet, it seems. And I think that what I would love to see is a tool, a graph, something that we can build as a community that allows us to map the wider distribution of human ideation, the way we explore concepts, the different angles or valences that we take on concepts that are as diverse as all of us are. And then within that to map the much tighter distribution of the sort of LLM averaged out approach to ideas and thinking. And so this is not necessarily a measure of words, it's a measure of ideas. And I think if we can get to a solution there, that becomes a much more useful and aligned approach to the larger goal of having a clean public square because we want a public square that's diverse. We want to have many perspectives. We want to have thinking that's original and takes different angles. And so why not measure for that, right? So the dream might be kind of a Pangram for ideas rather than looking at the text. It looks at kind of like the underlying concepts.
C
Chris Best22:43
I think that would be useful because you know one thing it's a tempting thing is for people to be like oh there's this thing that's average to the AIs. It doesn't mean that that thing is bad, right? There's a, the way I sometimes put this is like Claude is great. I love talking to Claude. I talk to Claude a lot. I get a lot of value from Claude, but like when I want Claude's opinion, I'll go talk to Claude. I don't need you to be a thin wrapper on Claude for me, right? And so there's humans to be thick wrappers. We want humans to have really strong opinions and to drive what they want out of AI, not the other way around. And that might get more true as the models get better, not less, right? It's not the case like, oh, well, if the prose was just a little better or if the ideas are better. The model can get arbitrarily better and more powerful. And what that means is in the places where the model is deeply valuable, it is going to be like that's not what we're going to turn to humans for anymore, right? Anything where it's like I could just ask Claude, people are just going to ask Claude and that's going to be great for a bunch of things. And then the place that's going to have continued value is in the places that are not in the central distribution. A lot of which may just be, you know, maybe noise or maybe wrong, right? If you expand that landscape of ideas into higher variance, a lot of what you'll get is stuff that is mistaken or stuff that is like, you know, whatever. But that's also where you'll start to get like the real data of new things. Almost like if you think about where the alpha is, the alpha is going to be sort of definitionally in things that are not that you can't just easily get out of the thing.
I
Interviewer24:27
I would go even farther than that. I would say the alpha in terms of ideas is absolutely at the edges of the distribution. I would also say that the alpha in human connection is going to be at the edges of that distribution, that when we are making a public square, we're literally referencing the physical public square where we all used to meet and that we can still see in some of our old towns. And I think that one of the things that's going to be really important is to have communities, whether digital communities or physical IRL communities or a mix of both that facilitate that kind of human to human interaction because there's some magical third thing that we all know that happens when we have a rich conversation and a third perspective emerges because two of us are chatting together. And I love that and I think that's one of the most powerful things about the public square. And to your point about comments, we don't want to lose that.
C
Chris Best25:28
Yeah. We're a social species. And even if you can have kind of like superhuman media in every part of latent space from the model, people are still going to care about discovering and caring about and paying attention to those things together. There's like another layer that happens that is not, you know, even if you had a super strong AI that could create any work of fiction or any piece of thing in the most convincing, most artful way, people are still going to care about other people experiencing and reacting and having real lives around these things I think.
I
Interviewer26:09
And we care about the stories that we create together. It's been really interesting for me. I watched the Odyssey over the weekend and I've seen this explosion of discourse on Twitter about storytelling and where we get our stories from, the origin of our stories and human connection over the centuries, etc. And it got me thinking like in a sense what makes the Odyssey powerful is that after 3,000 years or whatever, we still have to have this debate. We still have to talk about this story. We still have to go back and forth and try and make sense of this text. And to me, that's the mark of a great piece of writing is that it sticks with you and it makes you have these human conversations. And I think the pieces that I look back on Substack that I'm most proud of are not the pieces where I could point to and say, oh, I was right here or whatever. It's the pieces where it got a conversation going. Like when I started to talk about Open Engine and that got the conversation going around memory and how memory should be yours and it shouldn't just belong to any given AI provider. That's something where I think there was a human moment that sparked there that was really powerful and that was more than I expected and that's what you write for, right? You can't predict that that will happen every time, every day, but those are the moments that you're looking to create that spark a discourse and a ripple that's much larger than an individual piece.
C
Chris Best27:29
Very cool. Well, I should ask you this. You're a user of Substack both as a writer and a creator and I hope as a reader a bit. What if you could have anything for your experience around this topic, like what would you want? What would make this, what would be the best way to serve human creativity on a platform like ours?
I
Interviewer27:52
You know maybe we set aside the magic wand idea graph thing. I think that's really cool. Maybe we say for now we put it to the side. I think it would be really interesting to have some kind of signal from Substack when an idea, a concept, a theme that's been published or talked about on Substack is gaining traction really fast and sparking a ton of conversation and that it's relevant. And I think we see this a little bit with trending topics on X and it can be gameable, right? You can absolutely start to game that. But I think with Substack, what's interesting is that you have long form writing that these ideas can take time to unfold. I read a really wonderful piece that still sticks with me over a year later around Jevons' paradox and how it relates to different technological revolutions from the steam engine on down to trains on down to etc. etc. Like it went forward to the telephone etc. And it just stuck with me because it had this longer perspective that I was able to really marinate with and I was able to think with. And if we could find a way to basically mark a particular series, a particular post, a particular topic and say in this area, in this domain, this is advancing the discourse. This is helping us all think a little bit differently. Challenging our thinking, helping us expose our assumptions. That's sort of the opposite of Pangram, right? That's a way of calling out and saying there's some real excellence here that we would want to call out and say that this is featured or this is highlighted to some extent. Because I think in a sense as a reader that helps me feel like there's other eyes than mine that are looking through Substack for that kind of um spikiness or variance on the edge of the distribution that's really interesting, unusual, and high quality.
C
Chris Best30:00
Yeah. It's like what is the opposite of slop and how could we find and reward that? How could we reward the stuff that's real, which is different, you know, because even AI aside, standard attention-seeking social media algorithms will tend to kind of sand off and homogenize things and find the things that best push certain base buttons or whatever. And the thing you're saying here is kind of like, okay, what's the thing we actually want? What's the thing that's deeply valuable? And can we get a stronger and more reliable signal of that as a benefit to the reader directly, but also to the creator who wants to make those things and can feel like, hey, if I actually take the time to make something deeply thought out that kind of pushes the discourse forward, I'm not just going to get totally drowned out by 10,000 people writing clickbait stuff, whether they use ChatGPT for it or not. Which in turn increases confidence that this is a platform for that kind of work. And this is a platform where that kind of work is highlighted and I think that produces a sort of positive feedback loop when you're looking for fresh voices and you want to find new perspectives etc. I think that would be really interesting.
I
Interviewer31:21
What do you think are some of the best signals of that?
C
Chris Best31:24
So I love that question. I think that the best signal that I've seen is you're looking for an ability to develop a coherent thought that acts a little bit like a virus. Like it's a net new thought. It causes you to pay attention to it. You can't get it out of your head. It sparks new connections here, there, and everywhere. And I actually think that one of the good examples of this, outside of Substack, is Paul Graham's blog. And he just writes these things that when he writes them, they sort of stick in your head. Naval does this, too. And you just look at the world a little bit differently as a result. And I'm hungry for more of that, right? Because what I'm hungry for is challenging my own thinking, challenging my own assumptions, not making the same mistake twice, making sure that I read the world as it actually is and not necessarily as I want it to be. And those kinds of viral ideas are not always viral in the sense that they make it mainstream and the algorithm always rewards them, but they're viral in the sense that when you find a reader for them, they kind of stay in your head all day and you kind of can't get it out because it's so densely expressing a perspective that puts a fresh coat of paint, a fresh sensibility on something that you may have stared at a thousand times, right? I think about this because I think one of the moments I had for this was actually from the Anthropic engineering blog when they wrote about JSpace a couple of weeks ago. And I feel like that blog post got read and went viral in ways that I don't think were super relevant because it got sucked into the consciousness conversation. But to me the most interesting part of it was actually thinking about how brains work and how LLMs work as computational solutions to problem spaces. And essentially very narrowly what they're suggesting is that it may be a natural evolved response to difficult problem spaces to use a workspace approach where you evolve essentially higher order bits of knowledge and compute with those bits of knowledge rather than the base tokens that you're working with. And that also happens to be one of the sort of approaches to how people think we do consciousness. I didn't think about the last time I took my last breath. It just seems to be working well. And I found that really sticky, right? Because that helped me to think about LLMs as essentially computing reality in ways that was emergent. And so I've just been kind of chewing on that ever since. And so that kind of a thing like it went viral. I think it went viral in a weird way, but I think the value was still there.
Right. You're almost looking for an indicator of how much the reader has changed.
I
Interviewer34:39
Yeah, like did this stick with me, right? Do I find that this was impactful?
C
Chris Best34:47
It is also interesting too, you know, I think some people read the anti-slop stance as an anti-AI stance, but it is really interesting to me that you don't, you know, you don't see Sam Altman or Dario or the Anthropic engineering blog posting Claude slop. You see writing a lot of really thoughtful stuff. And I think that's illustrative that it's not a question of you don't have to be anti-AI. In fact, I think anti-slop is a pro-AI stance understood correctly in my mind.
I
Interviewer35:24
Yeah. Especially if you think of AI as something that we want to integrate into flourishing human societies, then being anti-slop is something that is profoundly pro AI.
Yeah, I love that. So as we look at this conversation a little bit, I think one of the questions that I'm left with is, do you feel like when you look at the creator community, you look at Substack as a whole right now, what is your sense of how creators are going to respond either to this initial foray with Pangram or to the sort of larger conversation that you want to kick off here? Because this is very much as much as it's a dialogue among all of us creators, it's also a dialogue with Substack and I'm curious sort of how you anticipate that rolling.
C
Chris Best36:19
I guess, you know, my real hope is to help spark a conversation here and to help kind of bring the topic into the open and have this, you know, we can sit here and think about this at Substack all day, but there's this amazing community of people who are thinking about these things a lot and I kind of want to get their ideas on it. You know, we have all perspectives on the platform. All the way from, you know, Sam Chris wrote a piece, the title of which was, 'If you let AI do your writing, I will come to your house and kill you.'
I
Interviewer36:49
Yeah.
C
Chris Best36:50
That's right. All the way to, you know, people like you and others who are kind of, you know, doing these like, frankly pushing the frontier of what's possible with these things. My hope is that we can start to have a sense of like what the new norm should be and what the like what are the things that are actually going to solve for the underlying question of value and how are we going to defend against the cases where you know low effort stuff threatens both human and thoughtful AI authorship. You know what is the version of that that can sort of durably not just survive but reinforce and help the real stuff win? That feels like the end goal to me.
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Interviewer37:42
Yeah. It's almost as if what we're looking for is that the conversation itself will be an inoculation against slop to some extent. And it will provoke a discourse that helps us to think across the wide variation of anti-slop and to think frankly across the I would say significantly narrower distribution of slop because slop itself to me is a very boring concept. It's notoriously averaged out which is why Pangram can catch it. And I do think the stance that a platform has does matter to some extent. Like it's interesting that LinkedIn has this. LinkedIn also has a feature where you can have AI write your stuff for you in the editor. Like there's kind of like oh don't want to bother thinking, click this button we'll do it for you. And I do think that there's kind of, you know, just setting a little bit of like how are we thinking about this? What are we actually standing for and caring about? And what is the intent of the platform trying to reward and trying to encourage? I do think it's not that thing by itself solves everything, but I think it does contribute to the culture of a place in a way that can be self-reinforcing and self-fulfilling.
You know, we haven't talked about video much in this conversation, but I think there's two directions I'd be curious for your take on. The first is I feel like the way Substack includes video helps as a guarantor of effort right now in the current state of AI. So when I produce a piece and I attach a video to the piece, that's me talking, right? I spent the time to sit there and talk and I said all those words and I thought about all of those things. And when we look ahead, I wonder if we're going to be having a similar conversation about video in a year or so where video is going to be good enough that someone who's doing a thousand blog posts make no mistakes can do 500 videos make no mistakes and they'll be able to get them.
C
Chris Best40:02
And if you look at stuff forwarded by people of my parents' generation, we're already there for some fraction of the population.
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Interviewer40:08
We are, especially for short form video, we're there. And I look at that and I worry a little bit because I think that video has been so certainly as a creator, it's been a powerful way for me to connect with folks. I think this kind of a conversation is something that works really well on video. And sure, we can grab a slightly cleaned up transcript of this and put it into an article, but it sings when we're talking because you can see the hands waving. You can see the emphasis in the voice and our faces and all of that. And I wonder if we're going to be at a point where we want to be emphasizing that sort of human dynamism in video, too.
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Chris Best40:46
Yeah, I think it'll be very interesting. And I think we'll need new norms around a bunch of this stuff, right? We'll need norms where, you know, we never used to have a norm that says you don't have the AI text your wife for you because that was never a thing. And then the minute it becomes technologically possible, there's kind of this moment where it's like, oh, there's a norm for that. Like it can argue with the customer service person and that's great. But like, you know, if I found out right now that during this whole conversation you weren't really here and I'd been talking to your AI avatar the whole time,
I
Interviewer41:23
You would be upset.
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Chris Best41:25
I would be upset. And it's not because I'm anti-cool avatar. I'm just like that would be a mismatch of my expectation.
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Interviewer41:36
It would feel like a betrayal, right? Because you're trying to have a conversation with a person.
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Chris Best41:41
Yeah. Have a conversation with a person. And it would feel like, you know, what I thought was like a mutual investment of effort and energy in these things turned out to be like, I sort of think of this as the writing version of this as claude fishing by analogy to catfishing where it's like the problem is not that you use the technology. The problem is that you betrayed the expectation. And I think the thing that's happening with writing, it's going to happen with video is we have a bunch of expectations. We have a bunch of sort of like implicit philosophical beliefs that we don't realize we have because it's never come up before. Then all of a sudden,
I
Interviewer42:21
The norm is challenged.
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Chris Best42:22
The norm is challenged and then it's like, wait a minute, can you use Claude to text me? Can you use Claude to write a comment? Can you use Claude to have a video conversation with me? Like when is it okay? Do you have to tell me? These are just I think they're going to have to be cultural outputs and expectations. These things through a process that I think is quite hard to predict and I don't think the answer is going to be nobody ever uses AI to make video. I think it's going to be an incredibly powerful tool in all kinds of ways and the thing we're going to have to find is kind of like what are the ways that remain valuable. As the people talk about Jevons paradox a lot, but I also think a lot about Baal's cost effect. You know this thing?
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Interviewer43:04
Yes, I do.
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Chris Best43:05
Where it's sort of like, okay, as some things get much cheaper, what remains valuable? Like what's the equivalent of a string quartet? And how do we guarantee that the what are the norms that support those things existing and being findable and being supported so that you know that it's good to invest your time in them because you're getting some version of the real thing. I don't know the answer for video, but that feels to me like the right question. At least.
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Interviewer43:33
It does. And I think it gets back to the heart of what we've been talking about, which is the idea that what's valuable in a world where, to Karpathy's point, 99.9% of attention is AI. What's valuable is human attention. And what's non-inflationary is human attention. What is not susceptible to magical 10xing every year is human attention. And so how do we make sure that when the human has eyeballs on something, it is worth the human paying attention?
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Chris Best43:58
It's the last scarce resource.
I
Interviewer44:00
Yeah.
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Chris Best44:01
As a small discretion. This has kind of always been the theory of Substack and we thought about this. You know, one of my the story I tell myself about the early internet and social media is that it used to like you used to be able to get bored.
I
Interviewer44:14
Yeah.
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Chris Best44:15
There used to like when I was a kid, you could have this problem of like, man, I have two minutes right now and there's nothing to do. This sucks. And we've kind of like even before AI, we have solved that problem. Any time you spend, you know, and before it's like, oh, give me something free to kind of like slightly distract me. It's like, oh, that's a great deal because like I was bored and now I have something. And now we live in a world where every piece of my attention that I could possibly want to spend, I can spend. And the question is like, how do I spend it well? And that's a very deep question, but it's a worthwhile question because I think as a parent, that's what I think about for my kids is am I teaching them how to spend their attention well? Am I teaching them the habits? Am I modeling the habits of how to spend your attention well that they can learn from and understand essentially what it means to be human by learning how we allocate attention toward one another in positive and constructive ways.
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Interviewer45:16
100%.
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Chris Best45:18
I think you'll see more in personal words.
I
Interviewer45:20
What's that?
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Chris Best45:21
I was going to say any final words.
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Interviewer45:23
Any final words?
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Chris Best45:25
Subscribe to my Substack. Check out the new feature. I always tell everyone else to plug their sub. I'm cv.substack.com. I tell everyone to plug theirs. So, I got to live up to that.
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Interviewer45:38
You got to live up to it. I love that. It's really been a pleasure, Chris. And I think it's a really important conversation. And so my hope for this video is that this becomes something where folks who watch this video, we'll put it on YouTube, we'll put it on Substack of course, that we find a community of conversation around this topic, what it means to be anti-slop in the age of AI and all the different ways that we can be anti-slop, what it means to take a stance in favor of the human discourse in a world where slop is very prevalent. So I'm excited.
C
Chris Best46:13
Fantastic. Thank you very much. This has been great.