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Nilay Patel
Editor-in-Chief; Host of Decoder and The Vergecast, The Verge

How to win — or lose — Decoder | Decoder

📅 Apr 30, 2026 Decoder with Nilay Patel 40 MIN 8505 VIEWS 51 SEGMENTS · 2 SPEAKERS
This is Nick Statt, senior producer on Decoder. We last ran a mailbag episode during the holidays, and we decided it was a good idea to do that kind of thing more often. So we’re back with Nilay as the guest, answering questions and responding to feedback, criticism, and suggestions. We talk through some recent controversial episodes like our interviews with the CEOs of Superhuman and Puck, and we also discuss how we’re covering AI, thinking about the future of the show, and what it takes to win (and lose) Decoder. #ai #decoder #tech 0:00 Intro – Decoder format & guest philosophy 0:49 Welcom...

Questions asked in this interview

12
  1. 1:04So, I feel like you are of two minds with how the show, of like what is the ideal version of Decoder?
  2. 1:47So, I thought we would just jump into it. Nilay, you ready?
  3. 2:13Were you at all surprised by any of the reactions?
  4. 6:18... behalf of the people whose likenesses Superhuman had appropriated or were you just, you know, was your strategy just, 'Oh, I'm going to just nail him on this one part around like how much he owes me and then we're going to go from there'?
  5. 9:17Are we giving them free publicity to hawk their product or push AI hype or whatever it is?
  6. 12:20And have you been kind of tweaking your approach or your style in terms of how you get through these interviews or try to extract more insight out of them?
  7. 16:38But I think we saw a version of this kind of play out recently with Nvidia CEO Jensen Huang and Dorkish Patel, right?
  8. 23:13Are we fixating too much on questions like whether the industry is a bubble or whether there's mainstream appeal or product market fit for this technology. How is that thinking evolving?
  9. 28:05How is this affecting how you think about talking to people about AI on Decoder, particularly tech leaders and people who are working on this technology?
  10. 32:52Do you think this format works?
  11. 35:06Why is that the title of the forthcoming Decoder book?
  12. 38:07Who do you most want on the show?
Nilay Patel 0:00 ↗
They can just hang up. They can just click the button and go.
So, the show has to be an environment that reflects and respects the participation. At the same time, if it's a game you can win, it's also a game you can lose. I have really mixed feelings on how to cover AI, and it is really related to all of the polling we're constantly talking about, where regular people are encountering it more and more, and they're hating it more and more. And they're not being shy about it.
The producers and I will not give anyone the questions they're going to face on Decoder in advance. We will not let them tell us what topics they want to cover. We will not accept edits afterwards or approvals on answers afterwards. You have to show up, and you have to do a good job, and sometimes you can do a bad job, and everybody can see it.
Nick Statt 0:49 ↗
Hello, and welcome to Decoder, Nilay's show about big ideas and other problems. This is Nick Statt, senior producer. And I'm joined by host, very occasional guest, Nilay Patel. Nilay, welcome back to your own show.
Nilay Patel 1:02 ↗
Hello. I hate being the guest.
Nick Statt 1:04 ↗
Now, you have said that in the past, but I feel like there's also a version of you that says that that is the ideal version of this show, where you just get to not do anything and show up and talk about stuff. So, I feel like you are of two minds with how the show, of like what is the ideal version of Decoder?
Nilay Patel 1:23 ↗
Being a permanent guest is a level of success that is hard to attain, where other people just want you to show up because they think you'll be interesting. And I would love to attain that level of success. At the same time, being a guest means you also have to be interesting all the time. Being a host, you're just in control. You're basically saying, 'Can you be interesting over and over again for an hour?' And then you see what happens. That is my job today.
Nick Statt 1:47 ↗
A few months ago, we did our annual mailbag episode, which we were thinking of as like an annual thing that would happen around the holidays, where we respond to listener questions, feedback, criticisms, suggestions. But, recently, I think we thought we should just do this more often because we get a ton of great feedback and we do read all of the emails. So, we're here again. So, I thought we would just jump into it. Nilay, you ready?
Nilay Patel 2:11 ↗
Yeah, let's do it.
Nick Statt 2:13 ↗
So, by far our most popular episode of this year was also our most contentious. It was your interview, Nilay, with Superhuman CEO Shishir Mehrotra. That focused heavily on Grammarly's expert review controversy. We got mounds and mounds of feedback about that episode. Most of it was overwhelmingly positive. There were a lot of interesting emails and comments and feedback we wanted to highlight here. Some of them were like, 'Damn, Nilay's questions are making me nervous,' was one of our top comments. Another said we need to make tech CEOs this uncomfortable more often. A Verge subscriber wrote in to say this episode was extremely uncomfortable to listen to, and absolutely the reason I became a subscriber less than a week ago. So, I think to kick this all off, Nilay, my first question for you is how did you feel about the reception to the Superhuman episode? Were you at all surprised by any of the reactions?
Nilay Patel 3:05 ↗
Yeah, I was a little surprised by some of the reaction. I can get into that. You know, as Nick alluded to, Shishir was booked to come on the show well before any of that controversy. And I was really excited to talk to him. He had been both the chief product officer and the chief technology officer at YouTube. He's on the board at Spotify. He was thinking about distributing AI through Grammarly. And distributing AI is actually a really hard challenge. You're up against Google. You're up against Apple, which is going to integrate AI into iOS with Google's models over time. So, you know, there's just a lot to talk about there in the creator economy and where AI is supposed to go and how it's supposed to work. And then this thing happened and I give Shishir a lot of credit for coming on the show. He knew what he was going to get. It's not that we give people the questions. I think it was just obvious what I was going to ask about. And my feeling was that he could take the heat.
Because he had these big roles at big companies, and I don't like taking young founders and putting them on trial for the whole industry, but given Shishir's background, his depth of expertise, his enormous network, and his ability to just sit there and answer the questions, I felt like we could do that with that episode because of who Shishir was. It felt like I could ask him about the specific issues in the case as a proxy for the bigger issues with AI. And I think a lot of people were responding to that. And so the thing that surprised me was the reactions that kind of felt like, 'You don't understand AI. This is just how it's going to be. You don't understand what being a builder is like.' And I kind of get it from one perspective, but I think my response is that A, this is what Decoder is about: what are the consequences of building these products, and how do these products actually work, and how should they actually work, and how should we all feel about them?
And my sort of more important response: if we don't ask these questions, if we don't ask them sort of relentlessly, then we will never make the people building the products actually think about what the answer should be. And that was really my goal. I know Shishir is thoughtful, I know he came on because he can take the heat. And I took the opportunity to ask the questions as plainly and as bluntly as I could. And maybe that made people feel uncomfortable. I feel like everybody in the room got exactly what they knew was coming, you know? And I think it was a service to the audience. Because that tension right now is reflected in every conversation about AI. Are these companies taking too much from us? Are they running roughshod over the laws we have to protect things like creativity and likeness and, you know, large bodies of work that authors and creatives and other people should be compensated for when you use them again. And we're just racing forward without resolving the answers to any of those questions. So I think we accomplished what we wanted to that episode. I'm not surprised at the reaction it got. I think the thing that did surprise me is that that's what we do here on Decoder. So coming to the store and being like, 'I don't like the product you're selling' is well, that's what we make.
Nick Statt 6:18 ↗
I hope we continue to make it. One commenter, Brendan G, actually wrote in about the Superhuman episode. He does media training professionally and so he obviously hates listening to media-trained executives. But he said either Shishir's media training was really good or he was just smart enough to ignore it and decided to have a real conversation other than occasionally hiding behind lawyers. Brendan also said that from his perspective it felt like you spent a lot of time grinding what felt like a personal axe. You sounded angry, although he doesn't know if that was a kind of performance that you were doing. And he said from a media trainer's perspective I would have loved that because it just makes Shishir in this case seem reasonable or calm. So the question for you, Nilay, is how did you decide to approach that interview and did you think of it as you having to kind of play a part on behalf of the people whose likenesses Superhuman had appropriated or were you just, you know, was your strategy just, 'Oh, I'm going to just nail him on this one part around like how much he owes me and then we're going to go from there'?
Nilay Patel 7:16 ↗
It's very rare that the story is actually about me. Just not a thing that occurs very often on Decoder or on The Verge as a whole. And so this was one of the rare times where I was just in the story. Just straightforwardly there was an AI clone of me in their product. And that felt like I could make the story more human just from the beginning. I didn't have to explain how it would affect regular people. It was just very obvious how it was affecting me. My feeling was that by just letting the story naturally be about me, which I don't like doing and which I think no journalist likes doing, but by letting it naturally be about me, I could make the stakes of it plain. Right? And I think a lot of people who felt themselves reflected in that story, a lot of artists want to go up to a CEO and say, 'How much are you going to pay me?' And very few of us will ever get that opportunity, and this was just one of those opportunities. So, I took it.
I think that anger piece is really interesting. And I do think that is because it was me in first person talking about myself. I didn't feel angry during that interview. I certainly have a temper, right? It rarely comes out. But I didn't feel anger. What I felt was intensity. And I think those things are a little different, and I think a lot of our interviews lately have had a lot of intensity to them. And I think maybe you can mistake that for anger, and I should do a better job of communicating the nuances of those emotions. But there's no anger here. Like I'm aware that the tech industry is going to take all of my work and remix it on a thousand platforms every single day. It's been happening to me for 15 years. Whatever. Like that's just a thing that happens. I think the intensity is, 'Hey, are we going to stop and think about this for one second? Are we going to think about the value exchange here for one second?' I get the opportunity to do that. I'm very lucky that I get the opportunity to do that. I think a lot of people don't have that opportunity ever. And I was hoping to reflect that intensity in the questions.
Nick Statt 9:17 ↗
One commenter I think wrote something interesting about this, which is he said that in reference to you asking Shishir how much they should pay you, he said, 'I'm going to go out on a limb here and say they'll pay you zero dollars.' And in fact, they just did that. They got free publicity, and you didn't sue. To him, he won this round. Which of course, you're not part of the lawsuit yet, or we don't determine who's part of the lawsuit as journalists, but I think that relates to a question, Eli, that we get a lot of the time here on Decoder, which is: are we platforming people that don't deserve a platform? Are we giving them free publicity to hawk their product or push AI hype or whatever it is?
Nilay Patel 9:56 ↗
I have a lot of complicated feelings with the platforming debate. We've run The Verge for 15 years. We've lived through a lot of different versions of who do you platform, you platform them, are you just giving people free publicity? And I've arrived at the conclusion, and I know a lot of people will disagree about this and that's fine, that The Verge, the thing that we make, choosing not to platform people effectively does not matter. You can just look around and be like, well, if you ignore things, they don't go away. So, it is better for us to ask the questions and be direct and make people face the logical conclusions to the thoughts they have started to have. But I don't think the people we have on the show are bad actors to the level where we should be having a platforming debate. I think they are by and large people who are trying to build things, people who want to talk about the way they build things, and they're people who are running complex organizations with lots and lots of multi-faceted challenges. And it just seems better to have honest, sincere conversations about what all those things mean than to say I hate every CEO in the world and we're never having them on the show. And that's just, you know, it's my position, it's our little show, but I'm just, I've become convinced over time that ignoring things does not make them go away.
The major platforms all deplatformed Donald Trump and now he is our president again and he is creating a particular kind of chaos that is almost unimaginable. Deplatforming him simply did not work. I don't know what else to say about that. There are all kinds of ultra-hard-right, ultra-nationalist figures who have been kicked off of platforms, come back on platforms. I don't think we're going to have a bunch of ethno-nationalists on our show anytime soon. I'm not suggesting that's where we need to go. I just think that this answer about platforming CEOs and giving them free publicity, it reflects a kind of nihilism that I'm trying actively to get away from. And what I would like to do is to say, they come on the show because they know, all these people know what kind of questions I'm going to ask. At this point the show has a reputation, I have a reputation. They come on because they want to show that they can take the heat. And then, you know, my job is to do a good job. And I think that balance, that dance, actually ideally helps make everybody more considerate. Again, I think you can disagree with all this. A lot of people have disagreed with all of this. I personally have arrived at the conclusion that ignoring things doesn't make them go away.
Nick Statt 12:20 ↗
So, another episode that we got a ton of feedback about, Nilay, was of course our most recent one of our most recent episodes with Puck CEO Sarah Personette. In particular, listeners almost universally picked up on Sarah's evasiveness. A lot of listeners were divided on whether this makes for a good podcast or not. One listener, Alejandro Tauber, sent us a one-line email saying the interview was majestic. Another listener said, 'Excellent.' But we also got an almost equal amount of polar opposite feedback. One commenter wrote, 'When Nilay has a CEO who comes on who comes off as overly media-trained or maybe overly prepared, I have a hard time getting through it.' Another commenter said, 'Honestly, I couldn't listen through this one because of all the sidestepping, zooming out, non-answers.' Somebody wrote, 'This interview almost feels combative, but only because of the squirming to avoid answering questions is truly out of this world.' We get a lot of feedback about episodes like this where people are too overly prepared or they just kind of don't want to answer something. And some people can't handle it because it makes them too uncomfortable. It kind of sounds like they're watching like a cringe comedy. We heard this about Superhuman quite a bit. Some people said they couldn't listen to the whole thing because it made them too uncomfortable. The broader topic here, of course, is that we sometimes deal with challenging subjects that are either so trained or so boring or difficult to talk to, they're evasive, or they're uninterested in straying from their talking points, and that creates a lot of unnecessary friction that is plainly obvious to anyone who's listening to the interview. How are you thinking about those kinds of situations, whether you would describe them as adversarial or challenging, whatever? And have you been kind of tweaking your approach or your style in terms of how you get through these interviews or try to extract more insight out of them?
Nilay Patel 14:02 ↗
The weirdest thing about doing an interview show is that the episodes are only good if the other person is good. I can't make Sarah Personette understand her business more than she does. I tried, man. I don't think she understands it at all, not even a little bit. And the questions I was asking her I don't think were particularly adversarial. We got off that recording, and I think it was Kevin McShane, our editorial director, who said, 'I don't think Sarah realized she's on the same side as you.' Because she was in outer space. I'm not going to back off on, do you understand the basics of your business? That seems like totally fair game to me, and I don't think she does. I also feel like, you know, with Shishir as a good example, I knew that he was prepared, I knew he had the experience and the history, he could do it. If you're the guy who runs product at YouTube, people have asked you a lot harder questions. You faced a lot hotter fire than I can provide to you in a one-hour conversation. So there's a spectrum here. And I'm just going to flat-out say it. I thought Sarah blew it. I thought that was one of the worst performances on the show we've ever had, and I think you could tell about halfway through that episode that I was just like, 'Do you know anything?' Maybe she does. Maybe she just didn't know what show she was on and she wanted to give her TED Talk and she got derailed and that's that.
On the other hand, I feel like if I do think you know what you're saying, if I do think you have the depth of understanding and you're ready for it, then the pressure should only escalate. And so this is, maybe it all feels the same in the end, but to me, just sitting in the room, they feel like very different vibes. And that's what I just want to do. Like I said, to make an interview show, the other person has to, A, they have to want to show up. You know, we always say that Decoder is a game you can win. They have to want to be here and participate honestly and openly. They have to think that they're going to come out the other end and they won't feel completely attacked because otherwise we won't get guests. Like they can just hang up. They can just click the button and go. So the show has to be an environment that reflects and respects the participation. At the same time, if it's a game you can win, it's also a game you can lose. And I think we're just seeing that dynamic. I think everyone is very used to very puffy influencer interviews. There's a lot of that going around lately and maybe everyone should just be one more turn more prepared.
Nick Statt 16:38 ↗
There's a real hunger from the audience for what you might call accountability journalism, especially in podcast form and particularly with the current tech and AI industries. The joke that you've said before is that the audience wants you to end every episode by arresting a CEO, and we've even had some commenters now referencing that as an editorial strategy. Some people are saying, you know, they want you to be tougher even. But this is running headlong into the idea that companies don't necessarily want to do these kinds of interviews all the time or even often. And that people don't like being put into unpredictable situations where they don't know the questions, they don't know what you're going to ask. And then audiences themselves are not really even all that interested sometimes in that kind of product, like the end result of that. Like Diary of a CEO is not hard-hitting journalism, even though it's very engaging. Acquired, TVPN is certainly not journalism, and whatever monitoring the situation from Andreessen Horowitz is not journalism at all. But I think we saw a version of this kind of play out recently with Nvidia CEO Jensen Huang and Dorkish Patel, right? Where he's not a traditional journalist, but he asked some challenging questions, and it kind of broke people's brains because they weren't used to seeing somebody kind of check somebody like Jensen, a rich tech guy, but also head of the most valuable company in the world, and people kind of think he's infallible. And this was a rare moment where people were kind of divided on what's the purpose of this interview. So, Nilay, the question for you is how are you thinking about that tension between the functions of journalism, what the audience wants, and then what the audience actually responds to when it comes to tough questions, and also, you know, why do you think people are coming on this show when we're not paying them, we're not telling them what we're going to ask beforehand, even though they know what to expect. They are going in kind of blind.

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APA

Patel, N. (2026, April 30). How to win — or lose — Decoder | Decoder [Interview transcript]. Decoder with Nilay Patel. CEOInterviews.AI. https://ceointerviews.ai/interview/3001184/

MLA

Nilay Patel. "How to win — or lose — Decoder | Decoder." Decoder with Nilay Patel, 30 Apr. 2026. Transcript, CEOInterviews.AI, https://ceointerviews.ai/interview/3001184/.

BibTeX
@misc{patel2026_3001184,
  author       = {Nilay Patel},
  title        = {How to win — or lose — Decoder | Decoder},
  howpublished = {Interview transcript, Decoder with Nilay Patel. CEOInterviews.AI},
  year         = {2026},
  month        = {apr},
  url          = {https://ceointerviews.ai/interview/3001184/},
  note         = {Speaker-attributed transcript with timestamps}
}