Josh Silverman0:11
Yeah, look, I think there's another great question. There's a time and a place for both. You want to certainly embrace and recognize the importance of heritage, legacy, the core sort of DNA that makes a piece of IP what it is, and you have to be really careful about that. So we're very thoughtful about what we do, but there's also an opportunity and the benefit of refreshing. As we look at our portfolio, there's times where we do a little bit of both. We have these multigenerational, universal pieces of IP, these brands and franchises, and the goal for us is to remain as consistent as possible. Where there are opportunities for us as we look forward is Barney, which we've talked about in the past, is a really great example. We certainly wanted to keep Barney true to what makes Barney Barney, but we also wanted to modernize it to a certain degree, to have it be refreshed for today's audience. That falls very much within a strategy we've deployed called 'new-stalgia.' Barney for preschoolers today is brand new, but for people who grew up with it, like myself and perhaps you and others, there's a nostalgia factor. The importance here of creating that piece of content, that preschool show, was where you could have co-viewing that is really authentic to parents and kids at the same time. Often times, parents are in the room while the kids are watching, and this is something they could watch together and enjoy. The parents will dip into the nostalgia factor, but for the kids it's brand new. So that's where we've been able to find that harmony and balance. What's interesting for us also is that some of our properties come with canon and they come from a universe. An example would be Monster High. There's a universe of Monster High characters. We'll create prequels and sequels, side stories, and new characters, and certainly extend, but it comes with it from a universe, from core canon. That's really great and something we continue to lean into from a narrative and storytelling standpoint. Also, what's really interesting and some of the stuff I get excited about is where we have these globally iconic, incredibly high awareness toys like Uno, a View-Master, or Magic 8 Ball that people know and love, but there is no story yet. It's a white canvas. We're able there to create new stories, have creatives bring their vision to these pieces of property, and really create new stories where none existed before, and create canon and create universe. So it's an interesting way we think about our portfolio. There is no one way we do it. We again really want to extend that emotional connection to our fans, and by telling stories, that balance of nostalgia and the fandom that exists today is an effort and certainly an area of focus for us.