Marc Andreessen2:41
Yeah. Well, look, I would start by saying that humanity's always been justifiably obsessed with ourselves, right? And as a consequence, we're obsessed with things that seem like they might be like us. There's this concept in psychology called anthropomorphizing, where you look at something that's not human but you want to read humanity into it. We do that with cats and dogs, with Bambi. There's a famous Disney marketing tagline from the movie Pinocchio in 1940: "America will fall in love with a cardboard cricket." Jiminy Cricket, Kermit the Frog, the South Park kids—you'll basically read humanity into anything. And so there's this very natural thing to do. The scientists involved in AI very deliberately set that up. They created this architecture called a neural network which was modeled after the human brain. They said if we work on this long enough, we'll be able to replicate the human brain and we'll have artificial intelligence, artificial people. As you track the arc of that idea, it goes through Frankenstein's monster, then into robots. We've had fictional portrayals of AI from Hollywood and science fiction for over 100 years. In the last 40 years, the image that stuck in everybody's head was Skynet and Arnold Schwarzenegger in Terminator 2. When I watch Terminator movies, it's clear what's happening: robot Nazis. It's like robot World War II: unthinking, unfeeling, uncaring, hierarchical, overly logical, relentless, unstoppable, and obviously homicidal. They set up this light versus dark, human versus machine struggle. Mankind is very good at building killing machines. So that set a lot of the popular perception. As you said, I'm an optimist, not a utopian. Every technology is a double-edged sword, used for good and for bad. There's a long history of that. Having said that, the AI that we actually got is not the AI that we thought we were going to get. We got something very different, in the form of what we now call large language models. Large language models were a very fringe idea until OpenAI catalyzed this whole thing. GPT was founded 10 years ago to do a different kind of AI. It turned out that there was one guy in the back room, Alec Radford, who had this idea: "I think maybe if we take this language approach, it might be interesting." He created GPT-1, GPT-2, GPT-3. ChatGPT was an accidental success. They didn't believe it was going to be a big hit; it was a little experiment off to the side. But it works incredibly well. The way to think about it, contrary to the Skynet model, is that a large language model takes the complete totality of all human culture you can possibly get your hands on. The internet turns out to be the basis for AI. You think of it as downloading everything off the internet. It's a form of compression, building a search engine of a different kind. Through a process called training, they take the world's collected knowledge, culture, entertainment, everything they can get their hands on, and smush it together into a highly compressed, compressed version of human knowledge and culture. The technical term for that is latent space. They compress all of human culture into a thousand-dimensional, compressed representation. When you talk to ChatGPT, it sends a probe through that latent space and constructs an answer based on the compression of all known human information. It's like talking to a mirror of humanity, a representation of everything that people have ever thought and said. For every question, there are many possible answers in the latent space, and it picks one. If you ask the same question twice, it gives you two different answers because it's firing probes in a semi-random way to get variation and creativity. You're getting echoes back from collective humanity. That's a much different thing than we thought we were going to get. For example, you can engage in moral debates with it about moral psychology, moral philosophy, virtue ethics, utilitarianism, religion, politics. It will happily have very sophisticated discussions about all this stuff. That was never in the James Cameron movies.