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Stanislav Bernard
Chairman of the Board / Co-owner, Rodinný pivovar BERNARD a.s.

Stanislav Bernard - Vlastní cestou k poctivému českému pivu

🎥 Apr 13, 2025 📺 Václav Nechyba ⏱ 75m 👁 2334 views
Krásnou neděli všem! mám radost, že Vám mohu představit svou třetí epizodu rozhovorů do hloubky! 🎙️ V ní jsem jel vyzpovídat Stanislava Bernarda přímo do jeho Rodinného pivovaru v Humpolci 🍺. Kdo by Stanislava neznal – v devadesátých letech vydražil pivovar za 52 milionů Kč. Za 30 let jeho existence dokázali se společníkem a partnerem přetavit rozpadající se ruinu v moderní pivovar se silnou značkou, která si zakládá na poctivosti, kvalitě a lidskosti 💛. Vydáváme se po jeho vlastní cestě – z Opavy až do Humpolce 🚗, od dražby chátrajícího pivovaru až k vybudování jedné z nejautentičtějších zn...
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Transcript (49 segments)
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Stanislav Bernard0:00
There were such funny stories that the then-director of South Bohemian Breweries said, 'We'll hand it over to you within a month.' I said, 'Well, but it will have to be done over the weekend.'
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Interviewer0:08
You then went through a burnout. What was that like?
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Stanislav Bernard0:14
Bad. Suddenly you find out that nothing amuses you.
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Interviewer0:17
Stanislav Bernard is a successful entrepreneur who goes his own way. Together, he saved the brewery in Humpolec and built it into the family brewery Bernard, a strong brand based on honesty, quality, and humanity. Besides beer, he helps improve society, standing behind the anti-corruption endowment fund and actively speaking out against hypocrisy. He himself overcame cancer and humbly says today that a person has enormous strength within, but must fully believe in it.
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Stanislav Bernard0:47
We could have easily gone bankrupt. With companies that grow to the heavens, it often starts to make people think they are something more. The mission was my own path to honest Czech beer. The beer is really created, which can't be said exactly, but there must be passion, there must be love. It was like that for those 10 years, as I say, we really had no money. Then, when we joined with the Belgians, when some of that money flowed in, I suddenly realized that I was completely at the bottom. I needed to take a breath.
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Interviewer1:26
My invitation to an interview was accepted by Mr. Stanislav Bernard, a man who always went his own way in life and together built the family brewery Bernard, where we are today. Thank you for accepting the invitation, Mr. Bernard. Good day. I'd like to ask right at the start, what was it like growing up in a family of two teachers and under the communist regime?
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Stanislav Bernard1:50
Well, it had several levels. The parents were great. And the regime wasn't the best. I remember that I always said something in school, and then they knew at home and said, you can't. So it was unpleasant.
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Interviewer2:14
So you already realized or felt that blanket that you don't live well in it? And after graduating from gymnasium, you went to a technical school in Žilina. Were you always attracted to technical fields, or was it out of necessity?
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Stanislav Bernard2:33
It was out of necessity. At that time, I was thinking about psychology or something like that, but there was no chance to get in because my dad was expelled from the party by the communists.
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Interviewer2:51
And after finishing your degree, you worked in the field. It was 1980. Did you enjoy what you had chosen? For those who don't know, you were an electrical designer.
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Stanislav Bernard3:10
Well, I wouldn't say I didn't enjoy it, but electrical design wasn't my field. However, when needed, I learned it and later did some lighting technology work, which was new and also enjoyable. I remember being recognized as an improver of the Sigma concern and going to a trade fair in Munich, which was quite funny.
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Interviewer3:52
But it wasn't exactly what you wanted to do your whole life. You did it more out of obligation. And then the Velvet Revolution approached. From what I know, no one expected it. Did you have any hints that a loosening of the regime might come?
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Stanislav Bernard4:11
It was in the undercurrent, you could feel it. But the Czech Republic was the last post-socialist country where it broke out, as far as I remember.
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Interviewer4:30
What struck me was that during the Velvet Revolution, you were appointed as deputy chairman of the district national committee. How did that happen?
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Stanislav Bernard4:45
I don't know. I was working in textiles at the time, which was desperate work. I was in charge of repairs, and there were about 250 stores with no money, so things broke down. As the revolution approached, at a meeting of the textile union, I read a few sentences, and they asked if I wanted to be co-opted into that position. I went there with great concern, thinking it was a communist nest, but it turned out not to be bad at all. It was an interesting experience, and the people there were mostly experts. I made friends with some of them and learned to speak and present. I wasn't there long, about a year.
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Interviewer6:21
It's interesting that when people say Humpolec brewery, many know it's in the Vysočina region, but you're from Opava. How did you end up in Vysočina?
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Stanislav Bernard6:32
After the revolution, we founded an independent weekly in Opava. I wanted it to have its own resources to avoid pressure. The former district authorities started feeling criticized, so I thought about raising money. I met my current partner, Pepa Vávra, who was working as a brewer in Ostrava. We thought about exporting beer to Poland, with part of the proceeds going to the brewery and part to the region. It was a simple, naive idea, but the Poles introduced an import surcharge, so it fell through. However, Pepa was from here, and he mentioned they were considering auctioning off this brewery. So that's how it started in 1991.
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Interviewer8:38
And you went through a small privatization auction. The starting price was around 9 million, but you won it for about 50 million, which today would be around 300 million CZK or more. Why such a high amount?
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Stanislav Bernard9:06
Because it was an auction. The 9.5 million was the residual value of the brewery. I thought if the bidding stopped at 15-20 million, it would be great. But it kept going up. Eventually, we won for 45 million plus 7.5 million in mostly unnecessary stock. During the auction, I asked Pepa if he could brew more beer, and he said if you sell it. There were four other groups, and they kept bidding. At the last moment, just before the auctioneer was about to close at a certain number, I bid 45 million. The others were shocked and didn't bid higher.
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Interviewer11:00
What was the first feeling after they awarded it to you? And why did you name the brewery Bernard and not Vávra or Šmejkal?
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Stanislav Bernard11:04
Well, I wasn't there, so I asked to see it. But I know Pepa was praying for someone to bid more. The name came up while we were staying at Rudy Šmejkal's. We thought about names for three evenings, and Rudy blurted it out. I asked Pepa if he would brew it well, and he said yes, he would do everything. We couldn't think of anything better. We had many names like Orlík or local features, but we knew it couldn't be Humpolec because the beer had a terrible reputation then. So we wanted to separate and go our own way.
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Interviewer12:52
And what were the beginnings like? I can imagine with such debt and in the 90s, not really knowing what business is, and it being completely outside your field. What did that feel like?
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Stanislav Bernard13:07
At first, we spent about three weeks just cleaning the brewery. We had to clear it out, clean all the technological equipment. At that time, we brought a few tankers from Ostrava to have some beer, and then we started brewing our own. It was the end of October, and there were funny stories, like the then-director of South Bohemian Breweries saying, 'We'll hand it over to you within a month.' I said, 'Well, but it will have to be done over the weekend.' So it was always clashing with reality. In the end, we became friends with that director, but it was interesting because I was completely new to the field. I had enormous doubts about myself, wondering if I could do it. But once we were in, we had to swim. So that helped overcome the fears and keep going.
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Interviewer14:35
And in 1993, you co-founded the Association of Small Breweries, which helped reduce excise duty for small breweries. Did you think that without this step, you might have gone bankrupt?
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Stanislav Bernard14:59
Hard to say, but it started taking effect from mid-1995. It helped all small breweries immensely, including us. It was for independent breweries with output up to 200,000 hectoliters per year, and the tax saving was around 4-5 million depending on size. For small breweries, this could boost profitability by 4-5%. At that time, all small breweries were struggling. Big breweries like Plzeň and Budvar got investment, but small ones were in ruins, like this one. So it really helped us, and we received the relief for several years until we exceeded 200,000.
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Interviewer16:28
And in the 90s, did you always have proper cash flow, or were you often on the edge?
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Stanislav Bernard16:39
For the first 10 years, we were totally on the edge. Constantly. There were periods when we had no money to pay invoices. So we arranged with commercial maltsters, who were friends, to give us credit. We would pay them later, which allowed us to pay smaller invoices. The accountant was overwhelmed because she had to explain we'd pay but had no money. Eventually, after about two years, we paid them off. I say we were on the edge for 10 years.
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Interviewer17:48
But then, around the turn of the millennium, you acquired your own malt house near Brna. Do you see that as a key differentiator for quality?
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Stanislav Bernard18:01
No, the simple motivation was to have our own malt. Before, we bought malt from other maltsters and didn't know what barley it was made from. Our brewhouse had to react to changes in malt quality, and I wanted to control the main raw materials. The malt house in Rajhrad was for sale, and we bought it for 16 million CZK, which was less than a third of the brewery's cost. So we got our own malt, though other breweries have it too. What struck me was that you were pioneers in the republic, like introducing microbiological filtration without pasteurization. In dairy, I know what that means, but in brewing, can you explain?
Basically, we didn't have a tunnel pasteurizer then—it wouldn't fit here, and we had no money. So we thought about increasing beer shelf life and got a filter that removed bacteria and yeast harmful to beer. We learned for a long time to meet the parameters. You need to realize that before the revolution, beer might last three days in summer, which is completely different from today. We can now guarantee up to nine months for exports. When I was building or renovating a house, I often had to drive to get beer for bricklayers, and it often spoiled within days. So we gradually improved until it held, then increased again. Today, we're at several months, but beer tastes best fresh, so we try to get fresh beer to customers quickly.
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Interviewer21:28
And in 2001, you sold 50% to the Belgian brewery Duvel Moortgat. Why did you partner with them and not someone else?
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Stanislav Bernard21:41
From their side, there was interest, and no other offers were serious. There were some Swedes and Americans, but it dragged on. A Dutch consultant from a small firm recommended them, saying he had a good feeling about the Belgians. We started meeting and eventually signed, which was a huge process taking about a year and three-quarters, with many audits and environmental checks. We had some external help, but we worked with them the whole time.
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Interviewer22:50
What surprised me was that it's already the fourth generation of owners, making it a family brewery passed down. You also style it as 'Rodinný pivovar Bernard.' Did that help stabilize values or strategy?
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Stanislav Bernard23:12
Not exactly. From the beginning, we employed family members, so there were many people from Pepa's and Rudy's families and mine. I was inspired by Bavarian companies where 'family business' implied a concrete person trying to do it right, not cheating. That was the original intent. And did the partner help with financial stability? In that time, yes. From today's perspective, we sold it for ridiculously low prices, but we could have gone bankrupt. They invested their capital, and today I'm convinced it paid back many times over.
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Interviewer24:40
That reminds me, how much did you sell it for? And do you remember your turnover that year?
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Stanislav Bernard24:43
All in all, about 140 million CZK. I don't remember the turnover, but I know we were producing around 100,000 hectoliters of beer per year then. And today? Last year, we sold nearly 420,000.
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Interviewer25:04
With the new millennium, you came up with original ads, like the dancing glass or the slogan 'Vlastní cestou' and 'Tady v někter svět se zbláznil, držte se.' How did those slogans come to you?
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Stanislav Bernard25:28
In various ways. It wasn't just about slogans; it was the ad content. We held a tender for an ad agency. Many asked how much we'd invest in TV, and when we said our budget, they lost interest. Unlike Dean Steinberger from Euro RSCG, now Havas, who said they wanted to help create smaller brands, mentioning Peugeot. He resonated with us, so we knew we wanted to work with him. When the concept 'The world has gone mad, hold on' came, billboards were created. We often came up with the ideas ourselves, topics that moved society, and we said it's worth doing.
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Interviewer27:06
You mentioned in an interview that you could never imagine going the serious or conservative route, like saying 'Our beer is good, our brewery is great.' You were always outside conventions, on your own path. When you came up with these controversies or absurdities, weren't you afraid of negative reactions or brand damage?
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Stanislav Bernard27:47
No, we weren't afraid because we were convinced that what we put out could fully resonate. And I think it succeeded. The first ad was with Anička Daidou from the first Superstar season. Anička really couldn't sing or speak English, but she was completely convinced she had the right to be a superstar. Students started forming websites and clubs. We convinced her to join, giving her legal guarantees, even though TV Nova threatened to destroy her. Eventually, they realized it was an ad for them too. So that ad had a huge reach, and there were more like it. You reacted to amnesties or police brutality at festivals like Technoparty. Exactly. And I see the connections even back then. It was very successful and brave for that time, because today freedom of speech is more democratic, but then it was still shortly after the regime.
Actually, at that time, there was much greater democracy than today. So today, you couldn't afford it. I could imagine doing it again, but we're doing different ads now. But I'd do it gladly again, why not?
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Interviewer30:11
What I enjoy reading between the lines is that you didn't do it for pure profit, though that's part of it, but courage and truth came first because that's how you feel.
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Stanislav Bernard30:31
What more to add? It wasn't product advertising; it was brand advertising. And over the years, it's confirmed because the brand has its weight, becoming a cult brand. The results we have today show it's not just by chance. The previous ads you call brave, but we didn't perceive them that way. Before '89, we lived in a totalitarian system. When it ended, I told myself, from now on, you'll say what you feel.
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Interviewer31:45
Besides other ads, you were also a strong opponent of plastic bottles, seeing it as part of ecological responsibility.
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Stanislav Bernard31:56
I wouldn't say it's ecological. When Czech beer, one of the best in the world, started being filled into plastic bottles, it was desperate. The big breweries couldn't sell, so they found ways regardless of the impact on beer. So we opposed it because it wasn't about ecology; it was about the impact on the valuable brand of Czech beer. We also didn't go into cans, even though they've grown in recent years. It was a simple decision: aluminum is mined in Central Africa, not ecological at all, then processed with huge energy demands, shipped halfway around the world, canned, filled once, drunk, and thrown away. Recycling rate for cans is about a quarter. So why go that way? We do ecology from our own conviction. Even if we filled cans, we'd be bigger now, but we don't have the capacity. I definitely don't support ESG and similar nonsense from the European Union. It's more about inner conviction and what's right.
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Interviewer34:13
And you continued with other firsts in the Czech Republic, like the first semi-dark non-alcoholic beer or non-alcoholic fruit-flavored beers. Did you get inspiration from abroad, like Belgium?
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Stanislav Bernard34:28
Yes, through the strategic partner. We visited Belgium, tasted fruit beers like Kriek and Framboise, which we liked. So we made plum beer, a semi-dark non-alcoholic beer that was new then, with premium plum juice and aroma. Then came cherry beer, which we're now discontinuing due to capacity. Finally, grape came in 2008-2009 during the financial crisis, and thanks to these fruit beers, we didn't decline. Some breweries dropped by 18%, so it helped us greatly. It's also key to innovation: inspiring from what works elsewhere and applying it to your firm, constantly innovating.
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Interviewer35:52
What I see in your story is that you constantly tried to innovate, whether in advertising or products, to offer something new that the end customer would appreciate. And I noticed that besides being customer-oriented, you deeply value your own people, employees, and they even chose company values. Here on the building, it says openness, trust, cooperation, responsibility, positivity, courage, and
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Stanislav Bernard36:28
Yes, exactly. Those values were chosen by the employees themselves, reflecting what we stand for.