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Stanislav Bernard
Chairman of the Board / Co-owner, Rodinný pivovar BERNARD a.s.

Pro a proti: Reklama pivovaru Bernard

🎥 Jun 21, 2018 📺 Český rozhlas Plus ⏱ 25m 👁 37408 views
Reklamní kampaň humpoleckého pivovaru, která využívá obrázků tak zvaných pin-up girls, je podle neziskové organizace Stínová rada pro reklamu sexistická. V Pro a proti se Veronika Sedláčková ptá spolumajitele pivovaru Stanislava Bernarda a zástupkyně rady Petry Havlíkové, jaké prostředky je vhodné používat v reklamě a které už jsou za hranou. Článek + audio: http://rozhl.as/2ir.
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Transcript (64 segments)
V
Veronika Sedláčková0:00
What means are appropriate to use in advertising, and which have already crossed the line? These questions were raised again by an advertising campaign from the Humpolec brewery, which used images of so-called pinup girls. Pinups were very popular in the 1950s, when serial images of girls promoted certain goods and society perceived them as sex symbols. Organizations calling attention to sexism in advertising, the Shadow Council for Advertising, and other initiatives sent an open letter to co-owner Stanislav Bernard, urging him to take down the controversial billboards — which he refuses to do. From the microphone, greetings from Veronika Sedláčková, for and against.
S
Stanislav Bernard0:44
Good day.
V
Veronika Sedláčková0:47
Good day. And our guests are: co-owner and co-founder of the brewery in Humpolec, Stanislav Bernard — good day — and Petra Havlíková from the non-profit organization Shadow Council for Advertising, also a member of the Nesehnutí movement. Good day. Please, both of you, keep your answers brief if possible. First, you, Mr. Bernard — are you considering taking down the controversial billboards we're talking about, the pinup girls?
S
Stanislav Bernard1:03
We're not considering it.
V
Veronika Sedláčková1:07
You're not considering it? You haven't considered that it might benefit culture or something?
S
Stanislav Bernard1:12
No. Never. Never, not for a second.
V
Veronika Sedláčková1:15
The same question to Petra Havlíková: would it be appropriate for the billboards to disappear?
P
Petra Havlíková1:17
Well, of course we would appreciate it if they were removed. However, we would also appreciate if a further edition were developed in which things moved forward so that women wouldn't be disparaged. So it's not absolutely necessary that these particular ones be removed, but it's possible to work toward some future direction. I think taking down the billboards is actually a very difficult step, and I understand the position that Mr. Bernard doesn't want to do it.
V
Veronika Sedláčková1:47
Mr. Bernard, given that Mrs. Havlíková says completely removing them would be too radical a step — are you perhaps considering a further edition? We know the edition has gradually evolved. Now we have the so-called feminist edition, where there is a girl's body but it's your face promoting Bernard beer.
S
Stanislav Bernard2:12
I wanted to say that taking down billboards is not such a terribly difficult step. It can be done. But we would need to know why — I don't see a single reason. If we felt the reason, we would gladly do it. It no longer makes sense to debate it now because the month is ending. But as I said, this isn't really about whether to take them down or not. I think we're talking about something much deeper than just beer advertising. And I see that Mrs. Havlíková is nodding — do you agree?
P
Petra Havlíková2:57
Here it's appropriate to say why the Shadow Council for Advertising asks Stanislav Bernard to reconsider his advertising campaign. Yes, exactly — as you just formulated it, it's a much deeper problem. That's what we're saying too. We want to talk about the broader social context. It's not about the individual advertisement, but about the meanings behind it.
V
Veronika Sedláčková3:20
Mrs. Havlíková, what is behind this specific advertisement, in your view, that makes it necessary to correct it in some way?
P
Petra Havlíková3:35
What we object to is advertising in which women are treated as objects — shown only as things, as something to be used. You can see this because the women aren't active beer drinkers; they're just drawn figures, shrunk down — if they were proportional, the beer and the woman would be the same size. They're also depicted in a sexualized way, and for some of them, their skin color is highlighted. These are all social problems: discrimination based on gender, discrimination based on race — things we think society should handle very carefully. Even in symbolic representation, society should be aware of what consequences certain images can have.
V
Veronika Sedláčková4:22
So, Mr. Bernard, we hear objections regarding sexism, racism — discrimination based on gender and skin color — which, according to Mrs. Havlíková, your campaign may support in society. So I ask again: have you considered correcting it in this direction, given what we've been discussing?
S
Stanislav Bernard4:42
No. I haven't considered it, and we won't be correcting it.
V
Veronika Sedláčková4:46
And in your view, there's nothing of what we've been discussing? What's your opinion?
S
Stanislav Bernard4:48
It's like this: everyone can see in advertising what they live by or how they perceive reality. We perceive the world as a beautiful place — a beautiful place to live and a beautiful place where life can be playful. Seeing that perhaps a dark-skinned girl is associated with a dark beer specialty, I perceive that the world has people of all colors. And conversely, if we only used light-skinned girls, that could be seen as discrimination against people of that skin color. I don't see the slightest hint of sexism. We were quite fiercely accused two years ago on Facebook of being racists. We won't be changing this advertisement in any way. If it's possible that it evolves further, I truly can't rule that out, but how it evolves — God knows, or you do, because you're the client. Though right now I don't know either.
V
Veronika Sedláčková6:13
You don't know yet? Mr. Bernard, I'll stay with this. You say it's certainly true that the world has people of different skin colors and it's not good to focus on just one. But if a dark beer specialty called 'Black 12' is paired with a bare woman, doesn't that seem over the line?
S
Stanislav Bernard6:31
Not at all, because the woman clearly looks 25 or older. That '12' — it's the same thing. You could name every one of those beers that way, because they're all under 15. Mrs. Havlíková, I'm sorry, but that's truly an illogical argument. That's nonsense.
V
Veronika Sedláčková6:57
Mrs. Havlíková, when Mr. Bernard says it depends on one's outlook on life — that with a playful view one doesn't take things so seriously and doesn't see a problem — is your problem that you take yourself too seriously as a woman? I'm asking because it was said here that it depends on how one looks at the world.
P
Petra Havlíková7:26
Certainly, seriously — on the level of human dignity or questions of discrimination, these are serious questions for me, and I take them seriously. However, I think it's quite clear from the activities of Nesehnutí that we often make fun of ourselves. A colleague and I wrote a parodic article and had ourselves photographed naked with a sign saying 'I'm an ugly feminist.' So we try to reflect on how to function in society, sometimes even with sarcasm. I wouldn't say we lack perspective.
V
Veronika Sedláčková8:35
For listeners who haven't heard — please, you can continue.
P
Petra Havlíková8:41
But returning to the question of race — I think the connection where all dark beer specials feature women with dark skin, and the label says 'semi-dark' or 'black,' that's precisely the reduction of a person to an object based on skin color. That's how racism works: you take a person and highlight the only thing — their skin color. We also had another ad in the Sexist Piglet competition where there was a stylized image of a naked Black man with a drink, labeled 'sweet, naked, and black' — again, a reduction where the important thing about the person is their skin color. We are of course in favor of diversity in advertising, which is why we also defended the case when a flyer depicted a Black man and it caused an outcry — we were on the side that this is completely normal.
V
Veronika Sedláčková9:15
So Stanislav Bernard wants to respond.
S
Stanislav Bernard9:20
I just wanted to note that if we were highlighting anything about the woman, it was her beauty.
V
Veronika Sedláčková9:28
Why is a woman whose beauty you highlight placed next to beer to promote a beer specialty?
S
Stanislav Bernard9:34
I'd rather ask: why not?
V
Veronika Sedláčková9:38
Well, I'm asking why yes, because you commissioned the ad.
S
Stanislav Bernard9:41
It just seemed right to us. We liked it. We have many campaigns over 26 years, and one of them is called 'Beer as Jewelry,' where beer is reduced to a detail and adorns both male and female bodies. So I truly don't see any problem with an inappropriate connection between beer and a woman. I see it much more in terms of worldview, as I said at the beginning. I don't want to cite that over 99% of discussion comments were very amused, and a huge number of those who wrote were women who cheered us on just as much as men. So I truly don't perceive this as any kind of inappropriate connection.
V
Veronika Sedláčková10:48
You're listening to 'For and Against,' this time with brewery owner Stanislav Bernard and member of the Shadow Council for Advertising, Petra Havlíková. Two guests, two different views. Premiere every weekday morning after 9:30 on Czech Radio Plus. To perhaps explain basic terms so we all understand each other — what is sexism, in your view, Mrs. Havlíková? What's the definition?
P
Petra Havlíková11:20
I've already indicated it. It's a foreign word, but the Czech equivalent is discrimination based on gender. When it comes to sexism in advertising, it's a broader field — it manifests in the use of stereotypes against men and women, in their belittling. But one of the most frequent manifestations is using the female or male body as an object that has nothing to do with the product being offered. It's a complex issue that must always be understood contextually, and even a small contextual change can fundamentally alter the meaning of an entire advertisement.
V
Veronika Sedláčková11:55
Why is it wrong to use a woman for beer specials, when Mr. Bernard says he's appreciating a woman's beauty?
P
Petra Havlíková12:04
I would have two levels of argument. One is about the impact on society or on women. I'm not saying a single advertisement alone is responsible for the increase in eating disorders — that's definitely not the case. It can only contribute to a toxic cultural environment. Research shows that in modern Western society — I think it was an American study — up to 93% of women hate their bodies because the images they see differ from their own appearance. We would want the world to be a happy, beautiful place where people like each other and want to show their bodies. Also, the World Health Organization's research indicates that one of the most common causes of suicide among young women and girls is pressure on their appearance. I'm not saying advertising alone is responsible, and certainly not Mr. Bernard's advertising. It fits into the broader context of how we perceive stereotypes and the status of men and women in society.
V
Veronika Sedláčková13:19
Mr. Bernard, even though, as Mrs. Havlíková says, a single ad certainly doesn't create problems in women's heads — when you commission an advertisement, do you also consider how it will affect the public sphere?
S
Stanislav Bernard13:34
I think we have the kind of intuition to completely naturally judge that.
V
Veronika Sedláčková13:42
Sorry — when you say 'we,' who are you talking about?
S
Stanislav Bernard13:49
I'm talking about us as people at the brewery.
V
Veronika Sedláčková13:51
OK, I just wanted to clarify.
S
Stanislav Bernard13:55
You mentioned bulimia and anorexia — our girls in the ads certainly don't look bulimic or anorexic, not even remotely. That's not the problem at all. I don't want to offend you in any way, but I don't share your view of the world. The reactions from women I've had the chance to hear and read personally are exactly the opposite of yours.
V
Veronika Sedláčková14:25
And then there are reactions from women who are angry. For example, the owner of a creative agency, Michaela Thomson, who participated in your campaign by providing the illustrator of those pinup girls — she writes that she distances herself from it because she doesn't want the female body associated with beer, sold or offered as a product. Did you talk to her about it?
S
Stanislav Bernard15:02
She's not here, so I'd rather not discuss her. I have a principle that when I talk about someone, they should be present. I truly don't want to comment on her because I have my own opinion and I don't want to pour oil on the fire. The opinion isn't good — it's truly not good. We dealt with her completely correctly. She knew about everything, signed a proper contract with us, we fulfilled it, we paid her for the work, and only after it was published did she start speaking up. I don't consider that correct, and I don't want to discuss it further.
V
Veronika Sedláčková15:49
Let's move on to the fact that there are indeed more women who feel their dignity has been damaged, at least according to public reactions I've found in open sources. Do you acknowledge that this advertising campaign might offend someone?
S
Stanislav Bernard16:06
Certainly, certainly. But I'd be interested to know how many people are offended and how many it doesn't bother. When I recall the poll on iDNES asking whether the ad bothers people — it bothered less than 4% of respondents. Show me another ad that's that non-controversial.
P
Petra Havlíková16:32
I just wanted to say that it's good we've met here in the studio, because I can represent someone it bothers. I wouldn't say the ad offends or angers me — those aren't words I'd use. I just wanted to take this opportunity for us to talk about it. Regarding the iDNES poll — I understand that society has different opinions on this ad and on sexism in advertising. While 4% may not seem high, based on older research, people with non-heterosexual orientation make up about 4% of society. Does that mean society shouldn't take any account of them? That's not how we feel. And when it's a different topic, suddenly that percentage is seen as negligible. I don't consider the iDNES poll entirely representative either — it's an opinion-based medium — but that's what occurred to me. From the opposite perspective, isn't there the exact opposite problem? That 4% of people are — forgive me, I'll use the word — 'violating' 96% of the remaining population who have no problem with it and actually welcome it? There were so many reactions saying 'I haven't been this amused in a long time' and 'the best ad I've ever seen.' And frankly, I'll say it out loud.
S
Stanislav Bernard18:10
And here it really was too. I'll say it out loud — because you attacked us two years ago very harshly and sharply, frankly, I actually expected your reactions this year too.
V
Veronika Sedláčková18:26
So you did it on purpose? Partly to provoke?
S
Stanislav Bernard18:28
Yes, partly to provoke, maybe. Why? Because I enjoy living in a truly free society that isn't constricted by all kinds of bureaucratic and other restrictions. I'll say it out loud — look to the west, where people are already afraid to use certain established expressions for fear of being labeled. Do you feel that when a few people speak up, it smells of censorship?
Not censorship, but I do feel that when a few people who are very loudly heard use harsh labels, society becomes more and more politically correct. Or, as I would say, pre-corrected.
V
Veronika Sedláčková19:22
Someone might call it a discussion. Mrs. Havlíková, aren't you trying to regulate too much?
P
Petra Havlíková19:26
Not really. I just want to say that it's very important to me that the organizations I represent — and I want to vouch for them — don't appear too harsh toward you. We certainly wouldn't want to be harsh, because respect for other opinions is part of our worldview. So if you felt that any criticism was unfair, please contact us and let us know. It must come directly from us. Before you cite it, I'd like to remind listeners who they're listening to — Petra Havlíková from the Shadow Council for Advertising and brewery owner Stanislav Bernard. When you want to know more, Czech Radio Plus.
V
Veronika Sedláčková20:35
Mr. Bernard, did you have a specific reaction at hand that you find too excessive from the Shadow Council or the Nesehnutí movement? You yourself just said you wanted to provoke.
S
Stanislav Bernard20:48
Here's a reaction: 'You don't see a reaction like that on the Piglet often. To perfectly combine sexism with racism and add a touch of pedophilia — only the Czechs can do that. I almost threw up. Don't buy it.' That's a completely exaggerated reaction from one specific woman.
V
Veronika Sedláčková21:18
So you'd like people to approach you with respect? We would appreciate it — how many of you are there?
S
Stanislav Bernard21:26
How many of you are there? I don't think that matters.
P
Petra Havlíková21:35
It doesn't matter. And we equally desire that people approach us with respect. May I say a vulgar word? No? Well then, I just wanted to illustrate what kind of reactions we receive, which severely undermines the discussion. You're right. And we certainly don't endorse vulgar comments — they don't please us either. But those are reactions to your actions. Do you also see these reactions as excessive?
Probably yes.
V
Veronika Sedláčková22:17
Mr. Bernard, going back to the beginning: when you say you're appreciating a woman's beauty by placing a female body next to a beer specialty — are you promoting the view of a woman as a sex symbol? Is that what's important to you?
S
Stanislav Bernard22:29
Female beauty is enormously important to me. I'm not talking about sex right now — because sex is implied, those women are half-naked, it's clear why. Sex naturally belongs there. Without it, we wouldn't even be sitting here.
V
Veronika Sedláčková22:48
And is it about how you see women and how you want to promote them in the public sphere? Is it your personal view, or is it simply an effort to sell beer?
S
Stanislav Bernard23:07
You're trying to push that on me. But what is my view? I see a woman as a wonderful being to whom sex appeal, sex, and everything that goes with it belong — tenderness, motherhood, love — there's much more to it than what you're asking about.
V
Veronika Sedláčková23:25
Mrs. Havlíková, can't some women feel offended by the campaign because they feel they have the right to be seen exactly as Mr. Bernard just described?
P
Petra Havlíková23:36
We certainly don't want women to not be perceived as beautiful, or not be perceived as sex symbols, or not feel sexy. On the contrary, we support all women feeling like sex symbols and doing with their sexuality what they want. But if I could finish — I didn't get to make my second argument about why we shouldn't use simplified depictions of women as objects in advertising: it's because it doesn't work. Just two days ago, an article was published about a MET study examining the portrayal of women as objects in advertising. They found it has a neutral to negative effect. In Super Bowl ads, which take place in a strongly masculine environment, objectifying ads were 9% less effective. So it's also shown from an economic perspective that there's a so-called vampire effect — people remember the ad and look at the beautiful body, but they don't remember the product or don't buy it.
S
Stanislav Bernard24:48
We never make ads expecting an immediate effect. We practically always make ads that express some deep conviction and deep opinion. Over the quarter century I've been involved, these ads were always the most successful — more beer was sold, people were engaged. We've been growing in beer sales for about 16 consecutive years, crisis or no crisis.
V
Veronika Sedláčková25:31
Co-owner of Bernard Brewery, Stanislav Bernard, and member of the Shadow Council for Advertising and the Nesehnutí initiative, Petra Havlíková, were guests on 'For and Against.' Thank you both. Goodbye. Thank you for your attention. This is Veronika Sedláčková.