We're in LA, which is not Paris. Los Angeles, California, the LACMA Museum of Art, it's Dior time!
Jonathan Anderson reveals his first cruise collection for Dior.
It's gonna be lit, buzz, it could be CD.
We talked to BLACKPINK's Jisoo, who's wearing the fall winter ready to wear that's not out yet.
It's my first show in LA, it's so exciting.
We're backstage with Jonathan Anderson and the teams.
It's a big new look year for Dior, a year of firsts!
A bit more cash, which is always good.
And it's the first time ever the brand shows womenswear and menswear together.
Natacha Morice reports.
What did you think of the show?
She interviews the stars and the designer.
Oh, God. God, obsessed. Killed it! A coup de Trafalgar dress! The Philip Treacy hats! Les accessoires! The flow, the buzz. Buzz. We're in Celebrity Town!
I'm very excited to be here. Thank you.
A denim clad Miley Cyrus.
Miley, you look amazing.
The model legend Lauren Hutton, the first one to break the 1 million dollar contract ceiling.
La géniale Tracee Ellis Ross.
Oh, I'll support anything Jonathan does. Well, not anything, I wouldn't walk off a bridge with him.
Notre idol Terrence O'Connor.
Nothing that crazy has happened. I've shown up, my hair looked good.
That's the culture of the moment.
Our pop idol Guitarrica.
Home Alone's Macaulay Culkin.
I like the fact that he gave me this purse for free.
Hello, I'm Loïc Prigent. Subscribe to the channel to see everything fashion! The best blockbuster shows at the hardcore designers! Leave a sweet comment. We need sweetness in this world. Welcome to Dior Show.
Walking down the LACMA Museum stairs, Polish model Kaya Krawczyk opens the show. Elongated torso, plissé soleil, taille basse, the idea of flou and the Christian Dior flowers.
The first thing we start off is a triptych, starting like we did in the last collection, this idea of like looking at a color variant based on poppies. Lots and lots and lots and lots of fleets, very light.
The stunning concrete and glass David Geffen galleries by architect Peter Zumthor just opened to the public. They cost a whopping $724 million and hold a swooping collection of antiquities and modern art.
The Violet counterpart. This is Colorama Chiffonvision.
Supermodel Noor Khan in the black and white flower.
The rules of three silhouettes.
Jonathan Anderson hammering his message, which is, the Dior Ateliers are capable of this.
It's my first Jonathan's cruise show. It's so exciting. Thank you so much. Enjoy the show. Bye.
And the show looks at this idea of like onscreen, offscreen. Sheen, not shine. This idea of theatrics. This idea of dress up. Dior has a huge history with obviously himself, with Hollywood in the 50s. I like the cliché of leaning in on that, playing with the idea of character building.
Mica Argañaraz in a key silhouette of the collection, a time worn looking bar jacket made of deconstructed and wild fringed metallic wool bouclé, like decaying cuffs and hems and denim trousers the wear and tear of which is actually made of metallic chains.
Bar jacket that keeps coming back, shown in a more conservative way here.
We took a lot of all the fabrics from collections that Dior had done in the 50s, so we redid them. The bar jacket, all the denim has like these little fine chains within it.
How did you work the bar jacket?
Well it's kind of like a canva, it's like you can repaint it in different ways. Here we have kind of kept the original length, frayed it. We took fabrics that he had done for jacketing in the 50s and re-wove it.
Hollywood nominated Christian Dior for an Oscar for his silver screen contribution for the film 'Indiscretion of an American Wife'. In this movie by Vittorio De Sica, dialogue by Truman Capote, Dior dresses Jennifer Jones as a banker's wife and she wears only one outfit, a grayish, belted, double-breasted, cinched jacket and skirt, two rows of pearls, a mink boa and a delicate hat. Notice how she is streaked by the shadows of the iron railing. Notez comment elle est striée par la ferronnerie de la rambarde.
Maybe this is the modern, relaxed, sober version of this suit.
That year, the Oscars, Dior lost to Edith Head for Sabrina, which costumes were by Givenchy, but who was uncredited. Also note the nuns in the movie with dramatic white hats, resembling the dramatic black hats on Jonathan Anderson's first ready-to-wear collection for Dior.
If you had to give movies to watch for Dior, what would it be?
